The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Volume 10Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
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Page 7
... Tragic Heroes ( In Studies in Social Identity ) 2. The Two Kinds of Hamlet ( Shakespeare Forum , San Francisco , December 1993 ) 3. The Universal Hamlets ( International Shakespeare Conference , Stratford , August 1994 ) 4. Hamlet's ...
... Tragic Heroes ( In Studies in Social Identity ) 2. The Two Kinds of Hamlet ( Shakespeare Forum , San Francisco , December 1993 ) 3. The Universal Hamlets ( International Shakespeare Conference , Stratford , August 1994 ) 4. Hamlet's ...
Page 8
... Tragic World of If ( In Shakespeare Jahrbuch , Heidelberg , 1980 ) 211 21. Substructures in Shakespeare's Language ( Modern Language Association Meeting , 1972 ) 220 22. Paul Scofield's Macbeth : Macbeth in Rehearsal - A Journal ( In ...
... Tragic World of If ( In Shakespeare Jahrbuch , Heidelberg , 1980 ) 211 21. Substructures in Shakespeare's Language ( Modern Language Association Meeting , 1972 ) 220 22. Paul Scofield's Macbeth : Macbeth in Rehearsal - A Journal ( In ...
Page 12
... tragic protagonists . " A tragic character composition has many tones - or voices - in it : some harmoni- ous , some dissonant , some nuclear , some peripheral grace notes . The combinations of tones are perceived in mixed chords that ...
... tragic protagonists . " A tragic character composition has many tones - or voices - in it : some harmoni- ous , some dissonant , some nuclear , some peripheral grace notes . The combinations of tones are perceived in mixed chords that ...
Page 22
... Tragic Heroes " that starts off the " Character " section ) . The concept makes allowance for the subterranean explosiveness in Shakespeare's characters : when the overt thrust toward objectives is deepened , contextually , by the inner ...
... Tragic Heroes " that starts off the " Character " section ) . The concept makes allowance for the subterranean explosiveness in Shakespeare's characters : when the overt thrust toward objectives is deepened , contextually , by the inner ...
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action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words