The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Volume 10Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
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... tragedies . One after another appeared the books so highly valued now , all in print : The Masks of Othello , The Masks of King Lear , The Masks of Macbeth , The Masks of Hamlet . They celebrate the oneness of the gestures of ...
... tragedies . One after another appeared the books so highly valued now , all in print : The Masks of Othello , The Masks of King Lear , The Masks of Macbeth , The Masks of Hamlet . They celebrate the oneness of the gestures of ...
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... Tragedies ( Ohio Shakespeare Conference , Toledo , 1987 ) 271 26. Translations of Erotic Nuances in Hamlet ( International Translation Conference , Warwick , 1988 ) 286 Part 3 : An Old Critical Battle Fought 27. Elizabethan Actors : Men ...
... Tragedies ( Ohio Shakespeare Conference , Toledo , 1987 ) 271 26. Translations of Erotic Nuances in Hamlet ( International Translation Conference , Warwick , 1988 ) 286 Part 3 : An Old Critical Battle Fought 27. Elizabethan Actors : Men ...
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... scholars , who concentrated so brilliantly on Shakespeare's words and thoughts , usually were not concerned with the intimate relationship of his texts to his theater art . Typically Bradley's landmark study of the tragedies 22 PROLOGUE.
... scholars , who concentrated so brilliantly on Shakespeare's words and thoughts , usually were not concerned with the intimate relationship of his texts to his theater art . Typically Bradley's landmark study of the tragedies 22 PROLOGUE.
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action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words