The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Volume 10Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
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Page 29
... personalities can be arduous enough merely to live through , let alone comprehend ; then how embrace in a single image ... personality ( see the list in Chapter 12 , " Visualizing Complex Character " ) . In my Othello book I observed how ...
... personalities can be arduous enough merely to live through , let alone comprehend ; then how embrace in a single image ... personality ( see the list in Chapter 12 , " Visualizing Complex Character " ) . In my Othello book I observed how ...
Page 30
... personality often coincided with my own and fel- low critics ' about dramatic character . Hence my friend and colleague , the psychologist Ted Sarbin , asked for an explanation of the concept . Perhaps then the clearest explication , a ...
... personality often coincided with my own and fel- low critics ' about dramatic character . Hence my friend and colleague , the psychologist Ted Sarbin , asked for an explanation of the concept . Perhaps then the clearest explication , a ...
Page 31
... personality brings to the identifications an individual polyphony , a unique set of rooted responses and perspectives that must color the character perception . Hamlet , for instance , has notoriously become a kind of projection test ...
... personality brings to the identifications an individual polyphony , a unique set of rooted responses and perspectives that must color the character perception . Hamlet , for instance , has notoriously become a kind of projection test ...
Page 32
... personality inventory could be developed from even a synthe- sis of these myriad descriptives , because at any one moment Macbeth's combinations of tones will be in transition , as his center adapts surfaces to meet the crises beating ...
... personality inventory could be developed from even a synthe- sis of these myriad descriptives , because at any one moment Macbeth's combinations of tones will be in transition , as his center adapts surfaces to meet the crises beating ...
Page 34
... personality interaction . As in life , husband and wife each has an individual polyphony , and each shifts and re ... personalities from their contrariety . They are touched , as so many of Shakespeare's titans are , with some of the ...
... personality interaction . As in life , husband and wife each has an individual polyphony , and each shifts and re ... personalities from their contrariety . They are touched , as so many of Shakespeare's titans are , with some of the ...
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Common terms and phrases
action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words
Popular passages
Page 108 - O, reason not the need ! our basest beggars Are in the poorest thing superfluous : Allow not nature more than nature needs, Man's life is cheap, as beast's : thou art a lady ; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
Page 106 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
Page 110 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads, and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these...
Page 125 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 98 - From too much liberty, my Lucio, liberty ; As surfeit is the father of much fast, So every scope by the immoderate use Turns to restraint; our natures do pursue (Like rats that ravin down their proper bane,) A thirsty evil ; and when we drinK, we die.
Page 290 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Page 209 - Sir, I love you more than words can wield the matter; Dearer than eyesight, space, and liberty; Beyond what can be valued, rich or rare...