The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Volume 10Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
From inside the book
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... Hamlet ( Shakespeare Forum , San Francisco , December 1993 ) 3. The Universal Hamlets ( International Shakespeare Conference , Stratford , August 1994 ) 4. Hamlet's Subversive Gravedigger 11 17 29 377 50 ( Fellowship , Berkeley ...
... Hamlet ( Shakespeare Forum , San Francisco , December 1993 ) 3. The Universal Hamlets ( International Shakespeare Conference , Stratford , August 1994 ) 4. Hamlet's Subversive Gravedigger 11 17 29 377 50 ( Fellowship , Berkeley ...
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... Hamlet " ( 1992 ) and its three predeces- sor volumes , The Masks of " Othello " ( 1961 ) , The Masks of " King Lear " ( 1972 ) , and The Masks of " Macbeth " ( 1978 ) , now all happily in print , published by the University of Delaware ...
... Hamlet " ( 1992 ) and its three predeces- sor volumes , The Masks of " Othello " ( 1961 ) , The Masks of " King Lear " ( 1972 ) , and The Masks of " Macbeth " ( 1978 ) , now all happily in print , published by the University of Delaware ...
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... Hamlet . Unlike other Shakespeare scholars , he sought out theater professionals involved in the plays he was studying and attended many full rehearsals and perfor- mances , which rewarded him with useful insights and intuitions and ...
... Hamlet . Unlike other Shakespeare scholars , he sought out theater professionals involved in the plays he was studying and attended many full rehearsals and perfor- mances , which rewarded him with useful insights and intuitions and ...
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... Hamlet's Subversive Gravedigger " —or any chapter in my Hamlet book ) . By the time my essay " A Metaphor for Dramatic Form " ( see Chapter 28 ) appeared , I had already begun to apply my linear - contextual perspective . I confirmed ...
... Hamlet's Subversive Gravedigger " —or any chapter in my Hamlet book ) . By the time my essay " A Metaphor for Dramatic Form " ( see Chapter 28 ) appeared , I had already begun to apply my linear - contextual perspective . I confirmed ...
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action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words