voice in the chase no more. They who were my friends are pale, silent, low on bloody beds." 2. My eye now rested on the venerable pile of building before me it seemed as yesterday since the master of that stately mansion stood at the gate to welcome my arrival; and now, where was he? Gone-and for ever! The accents of his voice were never to be heard again; my eye was to behold him no more. A slight breeze agitated the naked branches for a moment, as these thoughts passed through my mind: it helped to complete the work of desolation; and several of the still remaining leaves were wafted to my feet. How indiscriminately the pride of the forest, the majestic oak, the trembling aspen, the graceful popiar, with all the tribe of inferior shrubs, were here mingled. All that remained of their once gay foliage lay here—one undistinguishable mass of decay, with no mark to point out to which they had belonged. And shall Death, the great leveller, not reduce us to the same state of equality? What are the great, the noble, the learned, the beautiful, more than the mean, the lowly and the worthless, when they lay down their heads in the grave? They leave a name behind them for a short time, and the best beloved are then soon forgotten! 6. Change the following poetical passages from the rhetorical to the conventional arrangement, altering such expressions as are not allowable in prose: EXAMPLES. With hasty step the farmer ran; And close beside the fire they place And chafed his frozen hands in theirs ; And busily the good old dame A comfortable mess prepares. In pensive guise Oft let me wander o'er the russet mead, And through the saddened grove, where scarce is heard One dying strain to cheer the woodman's toil. TRANSPOSED. The farmer ran with hasty steps; and they place the poor half-frozen beggar man, with his shaking limbs and blue pale face, close beside the fire. The little children came flocking round him, and chafed his frozen hands in theirs, while the good old dame busily prepares a comfortable mess. Let me often wander in pensive guise over the russet meadow and through the saddened grove, where one dying strain is scarcely heard to cheer the woodman's toil. EXERCISES. When Israel, of the Lord beloved, Forsaken Israel wanders lone; Our fathers would not know thy ways, But present still, though now unseen; And, oh! when stoops on Judah's path, F Our harps we left by Babel's streams, And mute are timbrel, trump, and horn. O'er the wide prospect as I gazed around, And fix their own, with labour, in their place : Their names, inscribed unnumbered ages past, From time's first birth, with time itself shall last; These, ever new, nor subject to decays, Spread and grow brighter with the length of days. Thee, next they sang, of all creation first, In whose conspicuous count'nance, without cloud, Back from pursuit thy pow'rs with loud acclaim Not so on Man: Him thro' their malice fall'n, BOOK III. ON PUNCTUATION AND DICTATION. SECTION I EXPLANATION OF PUNCTUATION. PUNCTUATION is the art of dividing a discourse into clauses, members, and sentences, by means of certain marks called points. The Comma indicates the slightest pause in the construction of a discourse, and is generally used in the following circumstances. I. When the subject is part of a sentence, or otherwise consists of a great many words, it is often sepated from the verb by a comma; as, That it is our |