The Merchant of Venice: Edited with Introduction, Notes, Appendices, and Glossary by Thomas Marc Parrott ...Henry Holt, 1926 - 220 pages |
From inside the book
Results 1-5 of 24
Page 94
... verse - lines begin with lower - case letters . And the poverty of capitals appears to have affected the italic as well as the roman 1 Shakespeare Folios and Quartos , pp . 66-67 ; Shake- speare's Fight , pp . xii - xiv . 2 McKerrow ...
... verse - lines begin with lower - case letters . And the poverty of capitals appears to have affected the italic as well as the roman 1 Shakespeare Folios and Quartos , pp . 66-67 ; Shake- speare's Fight , pp . xii - xiv . 2 McKerrow ...
Page 105
... scene , consists wholly of verse , except for eleven lines of prose ( 11. 39-49 ) which are concerned with Lancelot's entry ' sola ' - ing like a ' post ' to announce Bassanio's approach . Lancelot is THE MERCHANT OF VENICE , 1600 105.
... scene , consists wholly of verse , except for eleven lines of prose ( 11. 39-49 ) which are concerned with Lancelot's entry ' sola ' - ing like a ' post ' to announce Bassanio's approach . Lancelot is THE MERCHANT OF VENICE , 1600 105.
Page 106
... verse might raise sus- picions of itself . There is , however , another point about the passage which unmistakably indicates textual irregu- larity , and demands explanation : the words ' sweet soul , ' which should of course stand in 1 ...
... verse might raise sus- picions of itself . There is , however , another point about the passage which unmistakably indicates textual irregu- larity , and demands explanation : the words ' sweet soul , ' which should of course stand in 1 ...
Page 107
... verse - texture of 3. 2. ( v . note ll . 214-18 ) , and once again it may be omitted without injury to the context . It is pretty certainly a textual addition , and we suspect that it was made by the same hand as wrote the ' sola'slip ...
... verse - texture of 3. 2. ( v . note ll . 214-18 ) , and once again it may be omitted without injury to the context . It is pretty certainly a textual addition , and we suspect that it was made by the same hand as wrote the ' sola'slip ...
Page 108
... verse with which the scene closes that seems to provide the clue we are seeking . The first five and a half lines of this verse are a tribute to Lancelot , or rather to the actor who played him , while the reference to ' A many fools ...
... verse with which the scene closes that seems to provide the clue we are seeking . The first five and a half lines of this verse are a tribute to Lancelot , or rather to the actor who played him , while the reference to ' A many fools ...
Other editions - View all
The Merchant of Venice: Edited with an Introduction and Notes William Shakespeare No preview available - 2015 |
Common terms and phrases
Antonio Arragon Baffanio Bassanio Bellario Belmont bond broken line casket choose Christian Clowne comes compositor court Covent Garden daughter dialogue doth Drury Lane Duke E. K. Chambers entry eyes fair father flesh follow fool forfeit Gentlemen give Gratiano hand hath Hayes Quarto head hear Ieffica Jaggard Jessica Jew's John Philip Kemble lady Lancelot letter Lopez Lord Bassanio Lorenzo Love's Labour's Lost masque master Merchant of Venice mercy mind of love Morocco Nerissa night Old Gobbo passage play Portia Portia's house pray thee prefix printed prompt-book prose revision ring S.D. Q. Enter S.D. Q. Exeunt S.D. Q. Exit Salarino Salerio scene scribe scrolls Sh.Hand Shakespeare Shakespearian Shylock Sola Solanio song soul speak speech spelling stage-directions Stephano swear sweet tell textual thou three thousand ducats Tubal Venetian verse W. W. Greg words
Popular passages
Page 43 - I am a Jew. Hath not a Jew eyes ? hath not a Jew hands, organs, dimensions, senses, affections, passions ? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is ? If you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge 1 if we are like you in the rest, we will resemble you in that.
Page xvii - tis true I have gone here and there And made myself a motley to the view, Gored mine own thoughts, sold cheap what is most dear, Made old offences of affections new.
Page xiii - In sooth, I know not why I am so sad : It wearies me ; you say it wearies you ; But how I caught it, found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn ; And such a want-wit sadness makes of me. That I have much ado to know myself.
Page 5 - Let me play the fool : With mirth and laughter let old wrinkles come ; And let my liver rather heat with wine Than my heart cool with mortifying groans. Why should a man whose blood is warm within Sit like his grandsire cut in alabaster...
Page 70 - Tis mightiest in the mightiest ; it becomes The throned monarch better than his crown ; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings ; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself, And earthly power doth then show likest God's When mercy seasons justice. Therefore, Jew, Though justice be thy plea, consider this, That in the course of justice none of...
Page 69 - It blesseth him that gives, and him that takes. 'Tis mightiest in the mightiest: it becomes The throned monarch better than his crown; His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings, It is an attribute to God himself; And earthly power doth then show likest God's When mercy seasons justice.
Page xxv - So may the outward shows be least themselves ; The world is still deceived with ornament. In law, what plea so tainted and corrupt, But, being season'd with a gracious voice, Obscures the show of evil...
Page 83 - That light we see is burning in my hall. How far that little candle throws his beams ! So shines a good deed in a naughty world.
Page 69 - The quality of mercy is not strained ; It droppeth, as the gentle rain from heaven Upon the place beneath : it is twice blessed ; It blesseth him that gives, and him that takes...
Page 6 - Sleep when he wakes and creep into the jaundice By being peevish? I tell thee what, Antonio — I love thee, and it is my love that speaks — There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dressed in an opinion Of wisdom, gravity, profound conceit, As who should say "I am Sir Oracle, And when I ope my lips let no dog bark...