Paradise Lost (Hughes Edition)Since its publication by Odyssey Press in 1935, Hughes's richly annotated edition--revised in 1962--remains the preferred text of many instructors. |
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Page vii
... human experience symbolized in the basic myth " ( p . 99 ) . For this position there is strong support in Mrs. I. G. MacCaffrey's " Paradise Lost " as ' Myth ' although ( and because ) the two works are quite independent of each other ...
... human experience symbolized in the basic myth " ( p . 99 ) . For this position there is strong support in Mrs. I. G. MacCaffrey's " Paradise Lost " as ' Myth ' although ( and because ) the two works are quite independent of each other ...
Page xv
... human history as Michael unfolds it to Adam in a quiet dialogue in the last two books of the poem , he will miss the clash of characters and ideas in the earlier books , but he may find satisfaction in the sombre but not tragic ...
... human history as Michael unfolds it to Adam in a quiet dialogue in the last two books of the poem , he will miss the clash of characters and ideas in the earlier books , but he may find satisfaction in the sombre but not tragic ...
Page xvi
... humanity in general and for individual men was absolutely assured by the scriptural texts that stud Mil- ton's lines . And in creation Milton had the great epic theme of his century , the theme of the Divine Weeks of the French ...
... humanity in general and for individual men was absolutely assured by the scriptural texts that stud Mil- ton's lines . And in creation Milton had the great epic theme of his century , the theme of the Divine Weeks of the French ...
Page xvii
... humanity but is reconciled in a scene of some psycho- logical depth . In a general way Milton stands close to Grotius in the scenes between Raphael and Adam in Paradise Lost - much closer than he does in the scenes in Books I and II to ...
... humanity but is reconciled in a scene of some psycho- logical depth . In a general way Milton stands close to Grotius in the scenes between Raphael and Adam in Paradise Lost - much closer than he does in the scenes in Books I and II to ...
Page xix
... human destiny was clarified though the only addition to them was the opening five lines of Book XII . In the new arrangement Book IX dominates the action less than it seemed to do in the original one , and the many dramatic ironies in ...
... human destiny was clarified though the only addition to them was the opening five lines of Book XII . In the new arrangement Book IX dominates the action less than it seemed to do in the original one , and the many dramatic ironies in ...
Contents
XI | 1 |
XII | 5 |
XIII | 30 |
XIV | 60 |
XV | 83 |
XVI | 113 |
XVII | 138 |
XVIII | 163 |
XIX | 183 |
XX | 202 |
XXI | 234 |
XXII | 265 |
XXIII | 290 |
XXIV | 309 |
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Common terms and phrases
Adam Adam and Eve Adam's Aeneid angels appear'd Areopagitica battle in Heaven Beast Beelzebub behold Belial bliss Book bright C. S. Lewis C.Ed call'd Celestial Chaos Cherubim Cloud Comus creation Creatures dark Death deep devils Divine Du Bartas dwell Earth Eternal Ev'ning evil eyes fair Faith fall Father fire Flow'rs Fruit Gates Genesis glory God's Gods grace ground hand happy hath Heav'n heav'nly Hell Hesiod highth Hill John Milton keeps its Latin King Latin Latin meaning light live Lord Nature Night Ovid Paradise Lost passage poem Psalm rais'd Raphael repli'd return'd Satan says seem'd Serpent sight soon spake Spirits stars stood sweet taste thee thence things thir thou hast thought Throne Timaeus tradition Tree turn'd VIII virtue wings words World Zeus