The Art of Drama |
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Page 74
... thought , which means that it grows in time , and the fact that it uses the illusion of sensuous life , i.e. of life in time , does not put it back again into some category other than thought . It takes time to com- pose a poem , and ...
... thought , which means that it grows in time , and the fact that it uses the illusion of sensuous life , i.e. of life in time , does not put it back again into some category other than thought . It takes time to com- pose a poem , and ...
Page 84
... thought , or see a smile and infer a satisfactory one . Hence we admit that certain forms of behaviour accompany thought . We also know that reading books , of no matter what kind , and including the austerest works of science and ...
... thought , or see a smile and infer a satisfactory one . Hence we admit that certain forms of behaviour accompany thought . We also know that reading books , of no matter what kind , and including the austerest works of science and ...
Page 138
... thought and feeling . Using images in this way a poem approaches music . Music uses melodic images , harmonic images ... thought . vi . INFLUENCE OF SUBJECT AND THOUGHT ON MUSICALIZATION We 138 MUSIC AND POETRY.
... thought and feeling . Using images in this way a poem approaches music . Music uses melodic images , harmonic images ... thought . vi . INFLUENCE OF SUBJECT AND THOUGHT ON MUSICALIZATION We 138 MUSIC AND POETRY.
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words