The Art of Drama |
From inside the book
Results 1-3 of 48
Page 33
... reason than that some irrational or affective influence at least de- termines the interest of an artist for any given subject . But these emotional reactions to what we see in the world around us spring from a life of feeling that is ...
... reason than that some irrational or affective influence at least de- termines the interest of an artist for any given subject . But these emotional reactions to what we see in the world around us spring from a life of feeling that is ...
Page 96
... reason we are obliged to classify it as composite . The structure of such composite arts is governed by what we may call the principle of a characteristic composite imagery , or a characteristic intertexture of imagery , to use ...
... reason we are obliged to classify it as composite . The structure of such composite arts is governed by what we may call the principle of a characteristic composite imagery , or a characteristic intertexture of imagery , to use ...
Page 117
... reason , or generalized truth . The person and the image are individual ; reason is general . A great amount of prose exhibits this conflict . Originality of mind shows itself sometimes in the capacity to state general truths , which ...
... reason , or generalized truth . The person and the image are individual ; reason is general . A great amount of prose exhibits this conflict . Originality of mind shows itself sometimes in the capacity to state general truths , which ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
6 other sections not shown
Other editions - View all
Common terms and phrases
abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words