The Art of Drama |
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Page 100
... produces a total unified expression . Experience shows that there is a limit to the degree of complexity admitting of the best effects . The several arts have often colla- borated , and there are composite arts ; but the mere adding ...
... produces a total unified expression . Experience shows that there is a limit to the degree of complexity admitting of the best effects . The several arts have often colla- borated , and there are composite arts ; but the mere adding ...
Page 130
... produces a generalized melodiousness . But all these qualities would be less effective were it not for a certain verbal fluency and abundance . There is a tendency to make more words than are necessary , producing , to some extent , a ...
... produces a generalized melodiousness . But all these qualities would be less effective were it not for a certain verbal fluency and abundance . There is a tendency to make more words than are necessary , producing , to some extent , a ...
Page 223
... produces the heightened utterance of the characters in a play , this being part of the representational aspect of drama , and an argument from life as the thing portrayed ; and it also produces the whole play as a created work of ...
... produces the heightened utterance of the characters in a play , this being part of the representational aspect of drama , and an argument from life as the thing portrayed ; and it also produces the whole play as a created work of ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words