The Art of Drama |
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Page 10
... kind of context for images . Schopenhauer classed the aesthetic state as one in which we cease to be involved in interested action ( the mainspring of life ) and be- come contemplative . In this condition the aspect of things , to which ...
... kind of context for images . Schopenhauer classed the aesthetic state as one in which we cease to be involved in interested action ( the mainspring of life ) and be- come contemplative . In this condition the aspect of things , to which ...
Page 30
... kind of context ; not a context of ordinary perception , nor simply of remembering or day - dreaming , but an aesthetic context . Such a context may be established in face of objects ; when this happens the observer , who has then ...
... kind of context ; not a context of ordinary perception , nor simply of remembering or day - dreaming , but an aesthetic context . Such a context may be established in face of objects ; when this happens the observer , who has then ...
Page 110
... Kind indicates more decisively the expressive motive , form the external aesthetic shape . Yet we must admit each implies also some- thing of the other . Tragedy suggests a certain kind of story or ยท situation with attendant feeling ...
... Kind indicates more decisively the expressive motive , form the external aesthetic shape . Yet we must admit each implies also some- thing of the other . Tragedy suggests a certain kind of story or ยท situation with attendant feeling ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words