The Art of Drama |
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Page 72
... hand has produced it , the sculptor's hand " instinctively " shaping it . A hand cannot do very much until it is moved by a will or a passionate idea . Again it is not " feeling " that has produced it , though this idea , as well as the ...
... hand has produced it , the sculptor's hand " instinctively " shaping it . A hand cannot do very much until it is moved by a will or a passionate idea . Again it is not " feeling " that has produced it , though this idea , as well as the ...
Page 189
... hand in hand , and do so still . In the midst of more intricate details of aesthetic analysis it is well to state a simple truth . Drama must be one of two things : either comic or intensely moving . All ingenuity and lavishness of art ...
... hand in hand , and do so still . In the midst of more intricate details of aesthetic analysis it is well to state a simple truth . Drama must be one of two things : either comic or intensely moving . All ingenuity and lavishness of art ...
Page 204
... hand in hand with decisive stylistic change in the treatment of persons . The fruits have been the break - up of a stereotyped or faded “ realism " ; in its place we have seen the expressive image triumph . Yet this general move- ment ...
... hand in hand with decisive stylistic change in the treatment of persons . The fruits have been the break - up of a stereotyped or faded “ realism " ; in its place we have seen the expressive image triumph . Yet this general move- ment ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words