The Art of Drama |
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Page 22
... factors and complications are involved . But we must certainly distinguish between a description that is adequate ... factor of the predominating idea is , as Coleridge noted , all- important , and it makes clear to us that the ...
... factors and complications are involved . But we must certainly distinguish between a description that is adequate ... factor of the predominating idea is , as Coleridge noted , all- important , and it makes clear to us that the ...
Page 45
... factors in communication , so that the hearer is appropriately " moved " and thereby understands . To move in this way is to tell . Metaphor thus has a composite appeal . Through its use the imagination exploits the excitements of ...
... factors in communication , so that the hearer is appropriately " moved " and thereby understands . To move in this way is to tell . Metaphor thus has a composite appeal . Through its use the imagination exploits the excitements of ...
Page 211
... factors of a new outlook shared by progressive minds . The character of the new drama was influenced by all these things , which together constituted a cluster of beliefs , determining the focus of vision . In this way a protest in the ...
... factors of a new outlook shared by progressive minds . The character of the new drama was influenced by all these things , which together constituted a cluster of beliefs , determining the focus of vision . In this way a protest in the ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words