The Art of Drama |
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Page 74
... fact that a work of art is the result of processes of thought , which means that it grows in time , and the fact that it uses the illusion of sensuous life , i.e. of life in time , does not put it back again into some category other ...
... fact that a work of art is the result of processes of thought , which means that it grows in time , and the fact that it uses the illusion of sensuous life , i.e. of life in time , does not put it back again into some category other ...
Page 211
... facts " of science and history and present - day " con- ditions ” , and an implicit optimism bred by reliance on the ... fact disrupted by powerful imaginative elements of various kinds . One observes two plays entangled with each other ...
... facts " of science and history and present - day " con- ditions ” , and an implicit optimism bred by reliance on the ... fact disrupted by powerful imaginative elements of various kinds . One observes two plays entangled with each other ...
Page 223
... fact that intense emotions seek an outlet in heightened speech ; and in this respect both rhythm and the figurative language appropriate in verse show greater intensity . This argument is frequently adduced to justify the use of verse ...
... fact that intense emotions seek an outlet in heightened speech ; and in this respect both rhythm and the figurative language appropriate in verse show greater intensity . This argument is frequently adduced to justify the use of verse ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words