The Art of Drama |
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Page 16
... criticism , which , without it , are capricious . We may conveniently recall at this stage our earlier observation that we need the world of naive realism as a point of reference . For we are only aware of the particular nature of ...
... criticism , which , without it , are capricious . We may conveniently recall at this stage our earlier observation that we need the world of naive realism as a point of reference . For we are only aware of the particular nature of ...
Page 118
... criticism of the arts . Some critics are opinionated and write brilliantly or amusingly ; on the other hand a certain dullness often goes with sound , sensible , conscientious criticism . Academic writing which puts " truth " first is ...
... criticism of the arts . Some critics are opinionated and write brilliantly or amusingly ; on the other hand a certain dullness often goes with sound , sensible , conscientious criticism . Academic writing which puts " truth " first is ...
Page 210
... criticism and intelligence . Apart from these unclarities further confusion arises from the novels and plays of the second half of the nineteenth century written in the mode of " realism " , sharpening later into " naturalism " . As a ...
... criticism and intelligence . Apart from these unclarities further confusion arises from the novels and plays of the second half of the nineteenth century written in the mode of " realism " , sharpening later into " naturalism " . As a ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words