The Art of Drama |
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Page 87
... create something " beautiful " and thus make a specific contribution to human life which would be added to the achievements of religion , morality , and philosophy , which were concerned with God and with the " good " and the " true ...
... create something " beautiful " and thus make a specific contribution to human life which would be added to the achievements of religion , morality , and philosophy , which were concerned with God and with the " good " and the " true ...
Page 123
... creating is not involved in experience but in creating images of experience . Style depends on the singer's or speaker's ability to re - create such images . Judgements about the reading of verse often suffer from a failure to ...
... creating is not involved in experience but in creating images of experience . Style depends on the singer's or speaker's ability to re - create such images . Judgements about the reading of verse often suffer from a failure to ...
Page 218
... creating new ones , have exploited this natural source of poetry . A myth at the centre of a play helps to create style ; it gives resonance and depth . At the same time we have to acknowledge that myths are skeletal outlines requiring ...
... creating new ones , have exploited this natural source of poetry . A myth at the centre of a play helps to create style ; it gives resonance and depth . At the same time we have to acknowledge that myths are skeletal outlines requiring ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words