The Art of Drama |
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Page 29
... chapter , representational images , we observe that dialogue is ambivalent . On the one hand it is highly representational , being one aspect of persons , and persons in a play talk after the manner of people in real life . And on the ...
... chapter , representational images , we observe that dialogue is ambivalent . On the one hand it is highly representational , being one aspect of persons , and persons in a play talk after the manner of people in real life . And on the ...
Page 249
... chapter II . CHAPTER V Pages 56-61 Cf. Bertrand Russell , Human Knowledge , especially Part IV . 2 Biographia Literaria , chap . XV . It occurs in the passage quoted in chap . IX of this essay , p . 124 . CHAPTER VI Pages 62-65 1 1 Cf ...
... chapter II . CHAPTER V Pages 56-61 Cf. Bertrand Russell , Human Knowledge , especially Part IV . 2 Biographia Literaria , chap . XV . It occurs in the passage quoted in chap . IX of this essay , p . 124 . CHAPTER VI Pages 62-65 1 1 Cf ...
Page 250
... chapter on kinds and genres in R. Wellek and A. Warren , Theory of Literature , gives an excellent review of the ... CHAPTER IX Pages 120-156 1 Professor Mansell Jones , to whom I am indebted for reading through this chapter , suggested ...
... chapter on kinds and genres in R. Wellek and A. Warren , Theory of Literature , gives an excellent review of the ... CHAPTER IX Pages 120-156 1 Professor Mansell Jones , to whom I am indebted for reading through this chapter , suggested ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words