The Art of Drama |
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Page 16
... artist and construct for himself the precise imagery of the picture given him . The artist doesn't copy nature , but the onlooker has in a sense to " copy " the work of the artist with his own eyes . This unprejudiced seeing is the ...
... artist and construct for himself the precise imagery of the picture given him . The artist doesn't copy nature , but the onlooker has in a sense to " copy " the work of the artist with his own eyes . This unprejudiced seeing is the ...
Page 68
... artist's life ; it is not simple recollection or memory . From what has been said above about imagery and interpretation of nature we know that works of art can never be history in a strict sense ; they can , even at their most ...
... artist's life ; it is not simple recollection or memory . From what has been said above about imagery and interpretation of nature we know that works of art can never be history in a strict sense ; they can , even at their most ...
Page 69
... artist to another . But certain it is that artists , like others , have characteristic dispositions of the feelings , obsessions , unconscious desires , a temperament and compulsive interests , which are all real , existing before the ...
... artist to another . But certain it is that artists , like others , have characteristic dispositions of the feelings , obsessions , unconscious desires , a temperament and compulsive interests , which are all real , existing before the ...
Contents
INTRODUCTION | 1 |
THE PRINCIPLE OF CHARACTERISTIC INTER page | 29 |
IMAGES AND FEELING | 32 |
Copyright | |
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abstract abstract art achieved action aesthetic artist aspects auditory auditory imagery beauty blank verse chapter character characteristic colour comedy complex composition conception connexion context dialogue drama dramatist effect elaborate elements emotional evocation evokes example experience expressive formula-images factors feeling formula function human Ibsen idea ideal imagination implicit interfuse intertexture language Les Parents Terribles literary art lyric Macbeth meaning medium metaphor mind moral myth nature non-representational Novalis objects observe painting particular passion pattern persons play poem poet poetic poetry precise principle problem programme music prose psychological R. G. Collingwood re-enactment realism reality reference relation representational art representational image Restoration Comedy rhythm romantic romantic poetry romanticism scene scientific sensation sense sensuous Shakespeare simple situation social song Sophocles sound speech style symbolism symbolist theory things thought tion unity varied verbal verse vision visual vivid whilst whole words