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TRADITIONALISM AND AUTONOMY
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accent animal appear attitude become body called century CHAPTER character child Christian classical consciousness considered critics death described desire drama emotion English Eros and Psyche Essays essences eternal ethics experience feeling final force four give greater hath heart historical human ideal ideas important influence instance instinct interesting Keats kind language later less lines living man's means meter Milton mind moral nature Nero never observed once original particular passage perfection perhaps philosophical play poem poet poetic poetry possible problems prosody purely reader reason rhythm Robert Bridges rules Santayana seems sense sonnet soul spiritual stage stanza style success syllable Testament of Beauty thee theory things third thou thought tion traditional true types various verse volume write written