The Family Library (Harper)., Volume 671868 - Child rearing |
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Page 10
... early days of the artist , Smith gives , in his own rough style , a very different account " Cos- way , " says he , " when a boy , was noticed by Ship- ley , the proprietor of the drawing - school in the Strand , who took him to wait ...
... early days of the artist , Smith gives , in his own rough style , a very different account " Cos- way , " says he , " when a boy , was noticed by Ship- ley , the proprietor of the drawing - school in the Strand , who took him to wait ...
Page 12
... early in life ssumed , he was prepared to maintain both by his talents and assiduity . He seems not to have cov- eted earnestly the applause which follows the paint- ing of works of a high historic order , though he tried his success in ...
... early in life ssumed , he was prepared to maintain both by his talents and assiduity . He seems not to have cov- eted earnestly the applause which follows the paint- ing of works of a high historic order , though he tried his success in ...
Page 13
... early next morning . He rose with remorse at heart : laboured hard by day to repair the waste of the night and formed , all the while , good resolutions , which dispersed of their own accord when the lamps were lighted , and the hour of ...
... early next morning . He rose with remorse at heart : laboured hard by day to repair the waste of the night and formed , all the while , good resolutions , which dispersed of their own accord when the lamps were lighted , and the hour of ...
Page 14
... early in life : and it must also be borne in mind , that manners were , in those days , less re- strained than now our fathers had not our delicacy of eye and purity of speech , though probably no- thing behind us in any of the ...
... early in life : and it must also be borne in mind , that manners were , in those days , less re- strained than now our fathers had not our delicacy of eye and purity of speech , though probably no- thing behind us in any of the ...
Page 35
... early life . This was an edition of Allan Ramsay's Gentle Shepherd , illustrated with landscapes and groups , copied from the scene where the pastoral drama is laid , and from the peasantry of its glens . To do this well , he began the ...
... early life . This was an edition of Allan Ramsay's Gentle Shepherd , illustrated with landscapes and groups , copied from the scene where the pastoral drama is laid , and from the peasantry of its glens . To do this well , he began the ...
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Common terms and phrases
admired Allan appears artist Beaumont beauty began brethren called canvass Chantrey character Coleorton colour conversation Cosway death Devizes Devonport drawing Duke Earl easel elegance Elgin marbles excellence exhibited expression eyes fame fancy father favour feeling friends Fuseli gallery genius gentle give grace hand Hazlitt head heard historical honour imagined Italy Jackson James Northcote king labours Lady landscape Lawrence letter lived Liverseege London look Lord Lord Byron Lord Mulgrave loved manner Maria Hadfield master merit Michael Angelo nature never Northcote Opie painted painter pencil perhaps person picture poet poetic poetry portraits portraiture praise Prince Prince of Wales Raphael rence Reynolds Rome Rosdew Royal Academy scenes seems sentiment Shakspeare Sir George Sir Joshua Sir Robert Peel Sir Thomas sitters sketches skill spirit style talent taste thing thought tion Titian took truth Wat Tyler young youth
Popular passages
Page 156 - But bringing up the rear of this bright host A Spirit of a different aspect waved His wings, like thunder-clouds above some coast Whose barren beach with frequent wrecks is paved ; His brow was like the deep when tempest-toss'd ; Fierce and unfathomable thoughts engraved Eternal wrath on his immortal face, And where he gazed a gloom pervaded space.
Page 105 - A little neglect may breed great mischief; for want of a nail the shoe was lost; for want of a shoe the horse was lost; and for want of a horse the rider was lost,' being overtaken and slain by the enemy; all for want of a little care about a horseshoe nail.
Page 105 - ... for want of a nail the shoe was lost; for want of a shoe the horse was lost; and for want of a horse the rider was lost...
Page 29 - Allan ever painted. The subject is the old poetic dream of the " Origin of Painting ; or the Corinthian Maid drawing the shadow of her Lover.
Page 51 - when he was pointed out to me at a public meeting, where a great crowd was assembled ; I got as near to him as I could from the pressure of the people, to touch the skirt of his coat, which I did with great satisfaction to my mind.
Page 213 - It ought, in my opinion, to be indispensably observed, that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish- white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and for this purpose, a small proportion of cold colours will be sufficient.
Page 110 - ... Cooper, the American, was in Paris at the same time : his looks and manner seemed to announce a much greater man. He strutted through the streets with a very consequential air ; and in company held up his head, screwed up his features, and placed himself on a sort of pedestal to be observed and admired, as if he never relaxed in the assumption nor wished it to be forgotten by others, that he was the * American Sir Walter Scott. The real one never troubled himself about the matter.
Page 41 - While Peggy laces up her bosom fair, With a blue snood Jenny binds up her hair ; Glaud by his morning ingle takes a beek ; The rising sun shines motty through the reek ; A pipe his mouth, the lasses please his een, And now and then his joke maun interveen.
Page 58 - Taffi, or some of those in Vasari." I observed how little he was paid for what he really did so well; to which Northcote merely replied, " In all things that are not necessary those in the second class must always be miserably paid. Copying pictures is like plain-work among women ; it is what anybody can do, and therefore nothing but a bare living is to be got by it.
Page 223 - I have neither been extravagant nor profligate in the use of it ; neither gaming, horses, curricle, expensive entertainments, nor secret sources of ruin from vulgar licentiousness, have swept it from me. I am in every thing, but the effects of utter carelessness about money, the same being I was at Bath. The same delight in pure and simple pleasures, the same disdain of low enjoyments, the same relish for whatever is grand, however above me, — the...