Beyond the Word: Reconstructing Sense in the Joyce Era of Technology, Culture, and CommunicationBeyond the Word provides as implicit critique of postmodernism, redefining it as a further, radical stage of modernism. Theall argues that Joyce anticipated many of the insights of semiotics, post-structuralism, and postmodernism. Moreover, Joyce and other modern artists differed from their predecessors in exhibiting a greater sense of their place within a dynamic, multifaceted field of communication. Thus, long before the emergence of postmodernism, these radical modernists posed an implicit challenge to the traditional notion of art as a privileged sphere. Beyond the Word situates artistic expression within a broad ecology of communication alongside genres such as comics, games, ads, videos, and slogans of spontaneous protest. Within this context, Theall reconsiders the contributions of Marshall McLuhan, Harold Innis, Gregory Bateson, and Kenneth Burke to our contemporary understanding of communication, and looks at artists as disparate as Dusan Makavejev, Stanley Kubrick, Alexander Pope, Rabelais, William Gibson, Gene Roddenberry, and Wyndham Lewis. |
From inside the book
Results 1-3 of 39
Page 100
... dialogue of signs is paralleled by a dialogue of genres . Fellini carries on a complex dialogue with his own films and with those of other film - makers ; Godard consciously adopts the style of an essayist , which not only makes complex ...
... dialogue of signs is paralleled by a dialogue of genres . Fellini carries on a complex dialogue with his own films and with those of other film - makers ; Godard consciously adopts the style of an essayist , which not only makes complex ...
Page 123
... dialogue . To prevent the dialogue from coming about because it is not purely rational is to truncate the production of the very energy needed to engender extensive questioning of such cultural activity . Openness is essential to ...
... dialogue . To prevent the dialogue from coming about because it is not purely rational is to truncate the production of the very energy needed to engender extensive questioning of such cultural activity . Openness is essential to ...
Page 227
... dialogue is revealed ; yet by implication that ideological dialogue is also revealed to be a necessary aspect of the evolution of communication . When Duchamp tampered with the image of the Mona Lisa , just as much as when he displayed ...
... dialogue is revealed ; yet by implication that ideological dialogue is also revealed to be a necessary aspect of the evolution of communication . When Duchamp tampered with the image of the Mona Lisa , just as much as when he displayed ...
Contents
Synaesthesia | 21 |
Gesture the Body | 39 |
Modernity and Poetics | 56 |
Copyright | |
15 other sections not shown
Other editions - View all
Common terms and phrases
activity advertising ambivalence artistic aspect assemblage associated Bateson become body Burke central century Citizen Kane comedy comic communica communion complex concept consciousness contemporary create critical critique cultural production cyberspace dance Deleuze dialogue discussion Dr Strangelove dramatic dream Dunciad ecology of sense Eisenstein elements emerging everyday world example exploration Felix Guattari Fellini film Finnegans Wake function gesture Gilles Deleuze human communication Ibid images imaginary importance interaction interplay involved James Joyce Joyce's Kenneth Burke language laughter machine Makavéjev Marshall McLuhan means medium memory modern modernist modes of communication montage movement munication nature oral paraliterature play poem poet poetic poetry polysemic popular potential Press provides relation relationship rhetoric role satiric semiotic sensory Sergei Eisenstein signs social society speaking strategies structure Sweet Movie synaesthesia tactility theory Thousand Plateaus tion Trans transformation transgression Ulysses unconscious understanding verbal vision visual words writing Wyndham Lewis