The New Encyclopædia BritannicaEncyclopædia Britannica, 1983 - Encyclopedias and dictionaries |
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Page 199
The technique of Mughal painting Illustra- tions for Persian transla- tions of Hindu epics Nobleman seated on a terrace , Mughal style painting ,. S Folio from an illustrated manuscript of Candayana , c . first half of the 16th century ...
The technique of Mughal painting Illustra- tions for Persian transla- tions of Hindu epics Nobleman seated on a terrace , Mughal style painting ,. S Folio from an illustrated manuscript of Candayana , c . first half of the 16th century ...
Page 200
... Mughal style : Jahangir period ( 1605-27 ) . The emper- or Jahangir , even as a prince , showed a keen interest in painting and maintained an atelier of his own . His tastes , however , were not the same as those of his father , and ...
... Mughal style : Jahangir period ( 1605-27 ) . The emper- or Jahangir , even as a prince , showed a keen interest in painting and maintained an atelier of his own . His tastes , however , were not the same as those of his father , and ...
Page 201
... Mughal Empire , was a great centre of paint- ing . The work that was produced there reflects both Gol- conda traditions and increasing Mughal and Rajasthani influences . Rajasthani style . This style appears to have come into being in ...
... Mughal Empire , was a great centre of paint- ing . The work that was produced there reflects both Gol- conda traditions and increasing Mughal and Rajasthani influences . Rajasthani style . This style appears to have come into being in ...
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