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INTRODUCTION.

THREE complete collections of ancient English mysteries have descended to modern times, or rather are now known to be preserved, which are generally distinguished by the titles of the Chester, the Townley, and the Coventry Mysteries; and, with the exception of a few detached pieces of far inferior importance, we derive nearly all our actual knowledge of the early English drama from these series of plays, which have been long known to every one interested in this class of literary pursuits, as some of the most curious and valuable relics of bygone times; not merely as important records of our early stage, but also as illustrating, in a very interesting manner, the customs, language, and manners of the periods to which they belong. The only one of these series (which is, perhaps, the most important of all), that has yet been printed, is the Townley, which was published by the Surtees Society, with a very interesting and learned preface by Mr. Hunter. The Coventry is contained in the following volume; and the Chester, so ably commented upon by Mr. Markland, a gentleman to whom belongs the distinction of being the first in recent times to direct public

attention to these researches, has already been under the consideration of the Council of the Society under whose auspices the present volume is produced. *

Mr. Collier, in the second volume of his excellent History of English Dramatic Poetry, has carefully analyzed the Coventry Mysteries, with occasional notices of resemblances or dissimilarities in the method in which the same subjects are treated in the other collections. It will, therefore, be unnecessary for me in this place to enter on the general question of the chain in the evidence of dramatic history which these mysteries afford.

The Coventry Mysteries are contained in a quarto volume, the principal part of which was written in the year 1468, now preserved in the Cottonian collection of manuscripts, under the press-mark Vespas. D. viii. The date of the MS. is ascertained from the verso of fol. 100, a fac-simile of which page will be found at the commencement of this work. The history of the manuscript is unfortunately wrapped in obscurity, and it cannot be distinctly traced back to those who are presumed to have been its former possessors the Grey Friars of Coventry. The principal authority for its appropriation to this body is contained in the following memorandum on the fly-leaf of the manuscript in the hand-writing of Dr. Richard James, librarian to Sir

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* I am not without hopes of one or two more collections turning up. In MS. Addit. 4791, fol. 157, is given a list of the plays represented at Dublin on Corpus Christi day, 1468, which differs materially from the contents of any known series. The play of the "Sacrifice of Abraham," in Trinity College, Dublin, may be one of these. It has been printed by Mr. Collier.

Robert Cotton:-" Contenta Novi Testamenti scenice expressa et actitata olim per monachos sive fratres mendicantes: vulgo dicitur hic liber Ludus Coventriæ, sive Ludus Corporis Christi: scribitur metris Anglicanis." The MS. was previously in the possession of Robert Hegge of Christ Church, Oxford, who died in 1629, and was, most probably, purchased by James about that time for Cotton, as it appears from a letter in the same library † that James was engaged about that period at Oxford in procuring manuscripts for his patron.

James, in his MS. collections in the Bodleian, does not notice the MS. of the Ludus Coventriæ, and I have been unsuccessful in endeavouring to trace either the destination of Hegge's library, or the authority for James's assertion that this volume was commonly (vulgo dicitur) known under the above title. That it was so, there cannot, I imagine, be the slightest doubt, for what object could James -a man who was, most probably, uninterested about the subject of the manuscript, and

* Wood's Athenæ, by Bliss, vol. ii., p. 458. Hegge does not allude to the MS. in any of his writings.

† MS. Cotton. Julius, C. iii., fol. 193. James was then resident at Oxford.

In the old catalogue of the Cottonian library, commenced in the year 1621, in MS. Harl. 6018, there is no notice of the present MS. I find, however, in a list of books "lent out of my study befor this 23 Aprill, 1621," an entry which may be interesting to the reader :

Elfricus Grammar Saxon to Ben: Jonson." This was doubtlessly "the most ancient grammar written in the Saxon tongue and character," which Kynaston saw in his hands. See Gifford's Jonson, vol. ix., p. 254.

inserted the account above given as Cotton's librarian, according to his usual custom-have had in making a misrepresentation? It must be remembered, also, that the last leaf, or, perhaps, the last few leaves, are now deficient, and there is no improbability in the conjecture that these may not have been lost when James wrote his description, and that a colophon supplied him with his information.

Robert Hegge has given us his autograph in two places, and in both added the cognomen of " Dunelmensis.” On this account, some writers have conjectured that the volume originally came from Durham; but this supposition is not supported by any evidence and very little probability. The principal mark of dialect which the Mysteries contain, viz., a for sh in such words as ral, rulde, &c., belong to that part of the country in which Coventry is situated.

If, then, we have not complete and absolute evidence that Ludus Coventriæ is the proper title of these Mysteries, yet the probabilities are greatly in favour of the correctness of this appellation, and no urgent reasons have been given for any different conclusion. By this name, at all events, the MS. has been known since the time of Dr. James, who died in 1639.

The external evidence is also greatly in favour of the claim of Coventry to these plays. Coventry was a place formerly famous for the performance of its Corpus Christi plays by the Grey Friars, in the same manner as Chester was for the performances of its trading companies. Mr. Sharp's Dissertation on the Coventry Mysteries, 4to., Cov. 1816, contains a most curious and valuable collec

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