Selected Criticism, 1916-1957 |
From inside the book
Results 1-3 of 84
Page 77
... poet ; from Shakespeare to be a great one . Assuredly in Lamb's day Spenser was the poets ' poet , as he had been Milton's poet , and probably at one time Shakespeare's also . But to - day things are different . True , Charles Doughty ...
... poet ; from Shakespeare to be a great one . Assuredly in Lamb's day Spenser was the poets ' poet , as he had been Milton's poet , and probably at one time Shakespeare's also . But to - day things are different . True , Charles Doughty ...
Page 204
... poet ; and comes naturally to the reader . What does he mean by naturally ? Most probably , at the moment of enouncing his ' axioms ' he did not know . Does naturally mean the same in both cases ? Obviously the poet differs from the man ...
... poet ; and comes naturally to the reader . What does he mean by naturally ? Most probably , at the moment of enouncing his ' axioms ' he did not know . Does naturally mean the same in both cases ? Obviously the poet differs from the man ...
Page 210
... poet , which has never yet been attempted by any critic . Coleridge intended to undertake it , and left behind him ... poet's implicit claim to'know ' reality , or the reader's claim to attain through the poet's work a ' knowledge ' of ...
... poet , which has never yet been attempted by any critic . Coleridge intended to undertake it , and left behind him ... poet's implicit claim to'know ' reality , or the reader's claim to attain through the poet's work a ' knowledge ' of ...
Contents
THE FUNCTION OF CRITICISM | 1 |
POETRY AND PROSE ΙΟ | 10 |
STENDHAL | 25 |
Copyright | |
19 other sections not shown
Other editions - View all
Common terms and phrases
accept achievement æsthetic Aristotle artist attitude become believe called Christian Coleridge condition conscious creative criticism D. H. Lawrence Democracy divine Dostoevsky dream Eliot Emily Brontë emotion English existence experience expression fact Falstaff feel genius Goethe Goethe's harmony Hazlitt heart human Hyperion idea ideal imagination individual instinctive intellectual intuition Keats Keats's kind King King Lear knowledge Lawrence Lawrence's less letter literary literature living Marxism means Merchant of Venice merely metaphor Milton mind modern Molière moral Murry mystery nature necessary never passion perhaps philosopher poem poet poetic poetry principle of beauty prophetic prose Raskolnikov reality reason religion religious revealed Rousseau seems sense Shakespeare Shylock simple social social contract society soul Spenser Spinoza spirit Stendhal Svidrigailov T. S. Eliot Tchehov things thought tion to-day Tolstoy tragedy true truth unconscious understand universe vision Whitman whole word Wordsworth writing wrote