Selected Criticism, 1916-1957 |
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Page 203
... comes from the poet himself as naturally as the leaves to a tree . But , unlike Tolstoy , Keats insists that what comes naturally to the reader is not what comes easy to him ; it is ' his own highest thoughts ' . Moreover , what comes ...
... comes from the poet himself as naturally as the leaves to a tree . But , unlike Tolstoy , Keats insists that what comes naturally to the reader is not what comes easy to him ; it is ' his own highest thoughts ' . Moreover , what comes ...
Page 204
... comes naturally to his reader . This something is the reader's own ' highest thoughts ' . The problem of poetic expression as such does not greatly concern Keats . For him , when true poetic expression comes , it comes naturally . But ...
... comes naturally to his reader . This something is the reader's own ' highest thoughts ' . The problem of poetic expression as such does not greatly concern Keats . For him , when true poetic expression comes , it comes naturally . But ...
Page 208
... comes to us through great tragedy is purely emotional and subjective . We feel it , and that is all . If that is ... comes it comes because their ner- vous systems are in order . First , it is an unwarrantable assumption ; and it is a ...
... comes to us through great tragedy is purely emotional and subjective . We feel it , and that is all . If that is ... comes it comes because their ner- vous systems are in order . First , it is an unwarrantable assumption ; and it is a ...
Contents
THE FUNCTION OF CRITICISM | 1 |
POETRY AND PROSE ΙΟ | 10 |
STENDHAL | 25 |
Copyright | |
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accept achievement æsthetic Aristotle artist attitude become believe called Christian Coleridge condition conscious creative criticism D. H. Lawrence Democracy divine Dostoevsky dream Eliot Emily Brontë emotion English existence experience expression fact Falstaff feel genius Goethe Goethe's harmony Hazlitt heart human Hyperion idea ideal imagination individual instinctive intellectual intuition Keats Keats's kind King King Lear knowledge Lawrence Lawrence's less letter literary literature living Marxism means Merchant of Venice merely metaphor Milton mind modern Molière moral Murry mystery nature necessary never passion perhaps philosopher poem poet poetic poetry principle of beauty prophetic prose Raskolnikov reality reason religion religious revealed Rousseau seems sense Shakespeare Shylock simple social social contract society soul Spenser Spinoza spirit Stendhal Svidrigailov T. S. Eliot Tchehov things thought tion to-day Tolstoy tragedy true truth unconscious understand universe vision Whitman whole word Wordsworth writing wrote