Selected Criticism, 1916-1957 |
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Page 119
... become intolerable and , more than this , man would become a discordant element in the great harmony of which he is a part . No , Keats says , not the conditions of human life but the individual man is perfectible . Man has it in him to ...
... become intolerable and , more than this , man would become a discordant element in the great harmony of which he is a part . No , Keats says , not the conditions of human life but the individual man is perfectible . Man has it in him to ...
Page 233
... become the instrument of man's regeneration , by exerting a steady compulsion upon him to trans- form his inertia into a positive force for good , instead of allowing it to become a positive force for evil , Rousseau was not making some ...
... become the instrument of man's regeneration , by exerting a steady compulsion upon him to trans- form his inertia into a positive force for good , instead of allowing it to become a positive force for evil , Rousseau was not making some ...
Page 254
... becoming and the thing become . He makes the separation only by an act of thought which is immediately surpassed . The intelligence is become an instrument , and is conscious of itself as an instrument . One might collect a whole ...
... becoming and the thing become . He makes the separation only by an act of thought which is immediately surpassed . The intelligence is become an instrument , and is conscious of itself as an instrument . One might collect a whole ...
Contents
THE FUNCTION OF CRITICISM | 1 |
POETRY AND PROSE ΙΟ | 10 |
STENDHAL | 25 |
Copyright | |
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accept achievement æsthetic Aristotle artist attitude become believe called Christian Coleridge condition conscious creative criticism D. H. Lawrence Democracy divine Dostoevsky dream Eliot Emily Brontë emotion English existence experience expression fact Falstaff feel genius Goethe Goethe's harmony Hazlitt heart human Hyperion idea ideal imagination individual instinctive intellectual intuition Keats Keats's kind King King Lear knowledge Lawrence Lawrence's less letter literary literature living Marxism means Merchant of Venice merely metaphor Milton mind modern Molière moral Murry mystery nature necessary never passion perhaps philosopher poem poet poetic poetry principle of beauty prophetic prose Raskolnikov reality reason religion religious revealed Rousseau seems sense Shakespeare Shylock simple social social contract society soul Spenser Spinoza spirit Stendhal Svidrigailov T. S. Eliot Tchehov things thought tion to-day Tolstoy tragedy true truth unconscious understand universe vision Whitman whole word Wordsworth writing wrote