Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
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Page 520
... shapes and simple proportions but also the related invention of what appears to be the first consistent system of one - point perspective - that is , a perspective in which all parallel lines in a given visual field converge at a single ...
... shapes and simple proportions but also the related invention of what appears to be the first consistent system of one - point perspective - that is , a perspective in which all parallel lines in a given visual field converge at a single ...
Page 916
... shapes with a band saw , suggesting amoebas or other primi- tive forms of life . Later , he used cutout cardboard , mounted and painted , in biomorphic shapes or configurations echoing nature as seen through moving water or a distorting ...
... shapes with a band saw , suggesting amoebas or other primi- tive forms of life . Later , he used cutout cardboard , mounted and painted , in biomorphic shapes or configurations echoing nature as seen through moving water or a distorting ...
Page 943
... shapes . But Stella's exploitation of a total shape derived entirely from the action of the stripes within the canvas was enough to establish his place in the history of modern art . At first , Stella's color was restricted to grays and ...
... shapes . But Stella's exploitation of a total shape derived entirely from the action of the stripes within the canvas was enough to establish his place in the history of modern art . At first , Stella's color was restricted to grays and ...
Contents
CHAPTER NINE | 924 |
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York