Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
From inside the book
Results 1-3 of 31
Page 525
... pilasters of the façade . Imported marble , however , was used for the elegant pilasters of the smaller order , including the central arch and entablature . The façade is considerably lower than the church behind it , but , given the ...
... pilasters of the façade . Imported marble , however , was used for the elegant pilasters of the smaller order , including the central arch and entablature . The façade is considerably lower than the church behind it , but , given the ...
Page 618
... pilasters thus correspondingly shortened . The idea of the coupled pilasters in one giant story sustaining the barrel vaults and embracing smaller arches was drawn from Alberti's nave of Sant'Andrea in Mantua ( see fig . 676 ) ...
... pilasters thus correspondingly shortened . The idea of the coupled pilasters in one giant story sustaining the barrel vaults and embracing smaller arches was drawn from Alberti's nave of Sant'Andrea in Mantua ( see fig . 676 ) ...
Page 644
... pilaster ( related to a device Michelan- gelo had invented at Saint Peter's ) and more strongly projected , breaking the entablature above ; and at the center of the lower story the pilasters support an arched pediment enclosing a ...
... pilaster ( related to a device Michelan- gelo had invented at Saint Peter's ) and more strongly projected , breaking the entablature above ; and at the center of the lower story the pilasters support an arched pediment enclosing a ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
Other editions - View all
Common terms and phrases
achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York