Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
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Page 636
... picture negate everything for which the High Renaissance stands . Pontormo's Entombment ( fig . 827 ) , of about 1525-28 , hardly seems a Renaissance picture . Once it has been established at the bottom of the picture , the ground never ...
... picture negate everything for which the High Renaissance stands . Pontormo's Entombment ( fig . 827 ) , of about 1525-28 , hardly seems a Renaissance picture . Once it has been established at the bottom of the picture , the ground never ...
Page 731
... picture and figures outside it , as in Manet's A Bar at the Folies - Bergère ( see fig . 1123 ) . However , it has been recently shown that this picture is connected with Velázquez's attempts to be rec- ognized as a noble , which met ...
... picture and figures outside it , as in Manet's A Bar at the Folies - Bergère ( see fig . 1123 ) . However , it has been recently shown that this picture is connected with Velázquez's attempts to be rec- ognized as a noble , which met ...
Page 844
... picture he would have had to climb a ladder , thus altering his view of the subject , he dug a trench and built a device for lowering and raising the canvas so that all parts of it could be painted from the same point of view . The ...
... picture he would have had to climb a ladder , thus altering his view of the subject , he dug a trench and built a device for lowering and raising the canvas so that all parts of it could be painted from the same point of view . The ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York