Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
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Page 545
... intense meditation , each apparently foreseeing the moment of his own death . Bartholomew , for instance ( the third on Christ's left ) , who was later flayed alive , folds his hands and gazes at a knife held up to him by Andrew . In a ...
... intense meditation , each apparently foreseeing the moment of his own death . Bartholomew , for instance ( the third on Christ's left ) , who was later flayed alive , folds his hands and gazes at a knife held up to him by Andrew . In a ...
Page 915
... intense and solemn and the scale of his forms larger and more powerful . Death and Fire ( fig . 1222 ) , painted in 1940 , the last year of the artist's life , is one of the most intense of a series dealing with messages of ultimate ...
... intense and solemn and the scale of his forms larger and more powerful . Death and Fire ( fig . 1222 ) , painted in 1940 , the last year of the artist's life , is one of the most intense of a series dealing with messages of ultimate ...
Page 935
... intense and enigmatic series was dedicated to images of almost demonic women , terrifying in their hostility and ferocity . Even more important , however , were the paintings in which no shred of visual reality can any longer be ...
... intense and enigmatic series was dedicated to images of almost demonic women , terrifying in their hostility and ferocity . Even more important , however , were the paintings in which no shred of visual reality can any longer be ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York