Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
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Page 535
... foreground illumination comes from a single source ( in this case , the shining Child ) within the picture . Gentile must have experi- mented with an actual model of the ruined shed , the cave , and the fig- ures , placing a candle in ...
... foreground illumination comes from a single source ( in this case , the shining Child ) within the picture . Gentile must have experi- mented with an actual model of the ruined shed , the cave , and the fig- ures , placing a candle in ...
Page 653
... foreground figures more than lifesize . The Cross appears to sustain the ceiling ; at its base the swooning Mary , the comforting Holy Women , and John looking upward form a pyramid of interlocking fig- ures , powerfully constructed in ...
... foreground figures more than lifesize . The Cross appears to sustain the ceiling ; at its base the swooning Mary , the comforting Holy Women , and John looking upward form a pyramid of interlocking fig- ures , powerfully constructed in ...
Page 841
Frederick Hartt. 1117 sticking up in the foreground . " ( This picture is generally confused with another done from the same window , but with the sun clearly visible and no foreground masts . ) The title gave rise to the name applied to ...
Frederick Hartt. 1117 sticking up in the foreground . " ( This picture is generally confused with another done from the same window , but with the sun clearly visible and no foreground masts . ) The title gave rise to the name applied to ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York