Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
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Page 484
... contrast to produce effects of emotion ( see figs . 906 , 995 , 1075 ) . Color . Color is subject to more precise and complex scientific analysis than any of the other elements that make up the visual experience of art . For this book ...
... contrast to produce effects of emotion ( see figs . 906 , 995 , 1075 ) . Color . Color is subject to more precise and complex scientific analysis than any of the other elements that make up the visual experience of art . For this book ...
Page 798
... contrast to the clearly defined Classical standards of beauty prevailing in Greek art of the fifth century B.C. The sublime was the object of meditation by the French critic Boileau in the seventeenth century and almost against his will ...
... contrast to the clearly defined Classical standards of beauty prevailing in Greek art of the fifth century B.C. The sublime was the object of meditation by the French critic Boileau in the seventeenth century and almost against his will ...
Page 831
... contrast . Yet its stern objectivity be- trays Courbet's own devotion to the new art of photography , which he practiced as an amateur . The power of Courbet's compositions was matched by the workmanliness of his methods . His paint was ...
... contrast . Yet its stern objectivity be- trays Courbet's own devotion to the new art of photography , which he practiced as an amateur . The power of Courbet's compositions was matched by the workmanliness of his methods . His paint was ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York