Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
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Page 514
... contemporary rebirth , was crowned with laurel on the Capitoline Hill in Rome in 1341 , it was not in recognition of the beauty of his Italian sonnets , but rather in honor of the breadth of his knowledge of ancient history and of the ...
... contemporary rebirth , was crowned with laurel on the Capitoline Hill in Rome in 1341 , it was not in recognition of the beauty of his Italian sonnets , but rather in honor of the breadth of his knowledge of ancient history and of the ...
Page 532
... contemporary naturalness of Filippo Lippi ( see fig . 704 ) . Alberti could not have foreseen that Luca would not progress be- yond this point . Luca did invent a new technique of producing architec- tural sculpture in terra - cotta ...
... contemporary naturalness of Filippo Lippi ( see fig . 704 ) . Alberti could not have foreseen that Luca would not progress be- yond this point . Luca did invent a new technique of producing architec- tural sculpture in terra - cotta ...
Page 574
... contemporary Tribute Money ( see fig . 697 ) , Campin has adopted a high point of view , which we might call " rising perspec- tive , " so that the background can be seen over the heads of the figures . Although he has rendered ...
... contemporary Tribute Money ( see fig . 697 ) , Campin has adopted a high point of view , which we might call " rising perspec- tive , " so that the background can be seen over the heads of the figures . Although he has rendered ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York