Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
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Page 742
... Rembrandt the opportunity of addressing the individual through his own personal means , most of all by radiant light against and through a special kind of warm , glowing , and vibrant shadow , receptive to the deepest resonances of ...
... Rembrandt the opportunity of addressing the individual through his own personal means , most of all by radiant light against and through a special kind of warm , glowing , and vibrant shadow , receptive to the deepest resonances of ...
Page 744
... Rembrandt's commissions in the 1640s did slacken off , whether or not as a result of this unconventional painting . It was cut down in size in the eighteenth century to fit into a space in the Town Hall of Amsterdam , and it is no ...
... Rembrandt's commissions in the 1640s did slacken off , whether or not as a result of this unconventional painting . It was cut down in size in the eighteenth century to fit into a space in the Town Hall of Amsterdam , and it is no ...
Page 746
... Rembrandt's language in these late works is almost entirely that of color and texture . Rich tans and ochers in the prodigal's worn garments are inundated by the glowing red of his father's festal cloak against the deep browns of the ...
... Rembrandt's language in these late works is almost entirely that of color and texture . Rich tans and ochers in the prodigal's worn garments are inundated by the glowing red of his father's festal cloak against the deep browns of the ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York