Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
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Page 972
... museum ( fig . 1317 ) . Few architects of recent museum buildings have been sufficiently self - sacrificing to recognize that in a museum the work of art comes first . To his everlasting credit , Breuer has done so , and has still ...
... museum ( fig . 1317 ) . Few architects of recent museum buildings have been sufficiently self - sacrificing to recognize that in a museum the work of art comes first . To his everlasting credit , Breuer has done so , and has still ...
Page 990
... Museum , S. Methodist University , Dallas , 1982 THOMAS , HUGH , Goya : The Third of May , 1808 , Vi- king , New York , 1973 WALKER , JOHN , Constable , Abrams , New York , 1978 Turner , Abrams , New York , 1976 CHAPTER THREE REALISM ...
... Museum , S. Methodist University , Dallas , 1982 THOMAS , HUGH , Goya : The Third of May , 1808 , Vi- king , New York , 1973 WALKER , JOHN , Constable , Abrams , New York , 1978 Turner , Abrams , New York , 1976 CHAPTER THREE REALISM ...
Page 992
... Museum of Modern Art , New York , 1982 RUSSELL , JOHN , Max Ernst : Life and Work , Abrams , New York , 1967 SCHMALENBACH , WERNER , Kurt Schwitters , Abrams , New York , 1967 SCHWARTZ , ARTURO , Marcel Duchamp , Abrams , New York ...
... Museum of Modern Art , New York , 1982 RUSSELL , JOHN , Max Ernst : Life and Work , Abrams , New York , 1967 SCHMALENBACH , WERNER , Kurt Schwitters , Abrams , New York , 1967 SCHWARTZ , ARTURO , Marcel Duchamp , Abrams , New York ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York