Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
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Page 861
... it was to appear at all . The Post - Impressionists reconstituted the object as they wished , but the effect of Impressionism was irreversible . CHAPTER POST - IMPRESSIONISM — A DEEPER REALITY FIVE During IMPRESSIONISM 861.
... it was to appear at all . The Post - Impressionists reconstituted the object as they wished , but the effect of Impressionism was irreversible . CHAPTER POST - IMPRESSIONISM — A DEEPER REALITY FIVE During IMPRESSIONISM 861.
Page 862
... Impressionists were united in regarding Impressionism as too fugitive in its aspirations to achieve an art of lasting value . Each Post - Impressionist artist created a sharply individual style , which could no longer be mistaken for ...
... Impressionists were united in regarding Impressionism as too fugitive in its aspirations to achieve an art of lasting value . Each Post - Impressionist artist created a sharply individual style , which could no longer be mistaken for ...
Page 879
... Impressionism was never a unified movement like its par- ent , Impressionism . The Post - Impressionists , many of whom had been ardent Impressionists , were either solitaries or at most formed short - lived splinter groups . Some were ...
... Impressionism was never a unified movement like its par- ent , Impressionism . The Post - Impressionists , many of whom had been ardent Impressionists , were either solitaries or at most formed short - lived splinter groups . Some were ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York