Art: The Renaissance, the Baroque, the modern worldPrentice-Hall, 1985 - Art |
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Page 694
... CARAVAGGIO The one real giant of seventeenth - century painting in Italy is Michelangelo Merisi ( 1573-1610 ) , called Caravaggio after his native town in Lombardy . After studying with an obscure local master , he arrived in Rome ...
... CARAVAGGIO The one real giant of seventeenth - century painting in Italy is Michelangelo Merisi ( 1573-1610 ) , called Caravaggio after his native town in Lombardy . After studying with an obscure local master , he arrived in Rome ...
Page 710
... Caravaggio and Bernini penetrated the French conscious- ness , in their age of power and glory the French rejected the excesses of Baroque enthusiasm and forged a temperate , elegant , classicizing style , which they are today reluctant ...
... Caravaggio and Bernini penetrated the French conscious- ness , in their age of power and glory the French rejected the excesses of Baroque enthusiasm and forged a temperate , elegant , classicizing style , which they are today reluctant ...
Page 734
... Caravaggio's spell . Ter- brugghen , in fact , seems to have settled in Rome as an adolescent in 1604 while Caravaggio was still there ; he returned to the Netherlands in 1614 . Honthorst arrived in Rome later , about 1610-12 , after ...
... Caravaggio's spell . Ter- brugghen , in fact , seems to have settled in Rome as an adolescent in 1604 while Caravaggio was still there ; he returned to the Netherlands in 1614 . Honthorst arrived in Rome later , about 1610-12 , after ...
Contents
The Pioneers The Mexicans Abstract Expressionism The Reaction Against | 956 |
Richardson Sullivan and the Chicago School Art Nouveau and Expressionist | 965 |
GLOSSARY | 977 |
Copyright | |
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achieved Alberti altarpiece angels arches architect architecture artists background Baroque beauty Bernini blue brilliant bronze building Caravaggio Cathedral ceiling central Cézanne Chapel Christ church Classical color columns composition contemporary contrast Cubist death decoration dome Donatello Dürer early effect Eyck façade figures Florence Florentine foreground France French fresco Gallery Giotto Giovanni Gothic Greek High Renaissance human Impressionism Impressionist interior Italian Italy Jan van Eyck landscape later Le Corbusier Leonardo light Louvre Madonna Mannerist marble Masaccio masses master Medici medieval Michelangelo modern Monet monumental movement Museum Neoclassicism Netherlandish nineteenth nude Oil on canvas painter Palace Palazzo Panel painting Paris perspective picture Piero della Francesca pilasters planes portraits poses Raphael Rembrandt Rococo Roman Rome Saint scenes sculpture seen shapes shows sixteenth century space structure style surface symbol tion Titian tower tradition twentieth century vault Venetian Venice Virgin wall York