The Director [ed. by T.F. Dibdin]., Volumes 1-2 |
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Page 37
Besides , in that country , beauty of person seems to have been eminent , The
dress , the gymnastic exercises , and perhaps even the freedom of manners ,
were peculiarly favourable to the studies of the sculptor . The people were
masters of ...
Besides , in that country , beauty of person seems to have been eminent , The
dress , the gymnastic exercises , and perhaps even the freedom of manners ,
were peculiarly favourable to the studies of the sculptor . The people were
masters of ...
Page 270
The division and arrangement of time seem to be important not only to the
welfare of man , but to his utility and moral character . Those of ... There seems to
have been also a considerable variety in the arrangement of the day in 270 On
the Art of.
The division and arrangement of time seem to be important not only to the
welfare of man , but to his utility and moral character . Those of ... There seems to
have been also a considerable variety in the arrangement of the day in 270 On
the Art of.
Page 42
His principal works seem to have been these : Tue TWELyE GREAT Gods .
Ulysses , in a pretended fit of madness , yoking a horse with an ox . Theseus .
Parrhasius also painted a picture of Theseus , of which Euphranor remarked that
...
His principal works seem to have been these : Tue TWELyE GREAT Gods .
Ulysses , in a pretended fit of madness , yoking a horse with an ox . Theseus .
Parrhasius also painted a picture of Theseus , of which Euphranor remarked that
...
Page 155
The tone of colouring is tender , and the whole scenéry seems to be a happy
representation of nature . 287. Civita Castellana . R. R. Reinagle . A very
beautiful and classical composition , somewhat in the style of Zuccarelli . The
landscape ...
The tone of colouring is tender , and the whole scenéry seems to be a happy
representation of nature . 287. Civita Castellana . R. R. Reinagle . A very
beautiful and classical composition , somewhat in the style of Zuccarelli . The
landscape ...
Page 263
It seems that Alexander the Great had the habit of looking upwards towards the
heavens . It was in this attitude that Lysippus most successfully represented him ,
which gave occasion to the following epigram , thus imperfectly attempted in ...
It seems that Alexander the Great had the habit of looking upwards towards the
heavens . It was in this attitude that Lysippus most successfully represented him ,
which gave occasion to the following epigram , thus imperfectly attempted in ...
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admiration antient appear artist attention beautiful black letter British called catalogue character collection colouring composition considered continued copy curious Director edition effect English equal excellent executed expression fine genius give given hand honour hope Institution interesting Italy John known labour late learned lecture less letter literature living London Lord Lysippus manner means ment mentioned merit mind moral nature never notice object observed original painting particular perfect performance perhaps period person picture play Pliny possession powers present printed probably produced published Purchased rare reader received respect Royal says scene seems society sold soul spirit stage statue Street talents taste temple thing thou tion volumes whole
Popular passages
Page 21 - HALLELUJAH, for the Lord God omnipotent reigneth. The kingdom of this world is become the kingdom of our Lord and of his Christ ; and he shall reign for ever and ever.
Page 231 - Why, all the souls that were, were forfeit once ; • And He that might the vantage best have took, Found out the remedy : How would you be, If he, which is the top of judgment, should But judge you as you are ? O, think on that ; And mercy then will breathe within your lips, Like man new made.
Page 94 - I HAVE observed, that a reader seldom peruses a book with pleasure, till he knows whether the writer of it be a black or a fair man, of a mild or choleric disposition, married or a bachelor, with other particulars of the like nature, that conduce very much to the right understanding of an author.
Page 83 - I said; Tie up the knocker, say I'm sick, I'm dead. The Dog-star rages! nay 'tis past a doubt, All Bedlam, or Parnassus, is let out: Fire in each eye, and papers in each hand, They rave, recite, and madden round the land.
Page 92 - How fluent nonsense trickles from his tongue! How sweet the periods, neither said, nor sung! Still break the benches, Henley! with thy strain, While Sherlock, Hare, and Gibson preach in vain.
Page 235 - With half-shut eyes, and pucker'd cheeks, and teeth Presented bare against the storm, plods on. One hand secures his hat, save when with both He brandishes his pliant length of whip, Resounding oft, and never heard in vain.
Page 209 - The lust of lucre, and the dread of death. In vain to deserts thy retreat is made, The Muse attends thee to thy silent shade ; 'Tis hers the brave man's latest steps to trace, Rejudge his acts, and dignify disgrace. When Interest calls off all her sneaking train, And all th...
Page 231 - That skins the vice o' the top. Go to your bosom ; Knock there ; and ask your heart what it doth know That's like my brother's fault ; if it confess A natural guiltiness such as is his, Let it not sound a thought upon your tongue Against my brother's life.
Page 42 - All contrast, therefore, of one figure to another, or of the limbs of a single figure, or even in the folds of the drapery, must be sparingly employed. In short, whatever partakes of fancy or caprice, or goes under the denomination of Picturesque...
Page 220 - Six days shalt thou labour, and do all that thou hast to do; but the seventh day is the Sabbath of the Lord thy God. In it thou shalt do no manner of work, thou, and thy son, and thy daughter, thy man-servant, and thy maidservant, thy cattle, and the stranger that is within thy gates.
Bibliographic information
| Title | The Director [ed. by T.F. Dibdin]., Volumes 1-2 |
| Editor | Thomas Frognall Dibdin |
| Published | 1807 |
| Original from | Oxford University |
| Digitized | 23 Oct 2006 |
| Export Citation | BiBTeX EndNote RefMan |