Ghosts and Witches in Elizabethan Tragedy, 1560-1625 |
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Page 56
... tragedies - written between the date of Heywood's trans- lation of the Troades and the appearance of Thomas Kyd's The Spanish Tragedy , a great landmark and the beginning of the revenge- tragedy tradition , there are extant only nine ...
... tragedies - written between the date of Heywood's trans- lation of the Troades and the appearance of Thomas Kyd's The Spanish Tragedy , a great landmark and the beginning of the revenge- tragedy tradition , there are extant only nine ...
Page 79
... tragedy , or the tragedy of blood , from its inauguration with Thomas Kyd's The Spanish Tragedy , through a period in which it becomes a popular stage puppet , then declines to an object deserving of satire , and finally undergoes a ...
... tragedy , or the tragedy of blood , from its inauguration with Thomas Kyd's The Spanish Tragedy , through a period in which it becomes a popular stage puppet , then declines to an object deserving of satire , and finally undergoes a ...
Page 80
... Tragedy there are combinations of most of the points already illustrated from individual plays . It has been said that Kyd gave to the tragedy of blood " its well - moulded plot , its sub plot , its double - dyed Machia- vellian villain ...
... Tragedy there are combinations of most of the points already illustrated from individual plays . It has been said that Kyd gave to the tragedy of blood " its well - moulded plot , its sub plot , its double - dyed Machia- vellian villain ...
Contents
Conclusion 334 | 13 |
The Revenge Ghost | 35 |
Shakespeares Experimentation with the Ghost | 78 |
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Common terms and phrases
accord action actually addition already Andrea appear atmosphere attempt become beginning beliefs blood body bring Brutus Caesar called cause characters chorus classical close comes conception connection considered course dead death desire devil direct discussed doth dream dumb show earth effect element Elizabethan English entirely established evident example expect fact father figures final frequently furies further ghost give hand hath hell Hercules host illustrate important indicate influence introduced King later lines means Medea mentioned merely midst motive murder native natural night noted once opening original play popular practice present probably prologue reason references revenge revenge ghost Richard role says scene seems seen Senecan Shakespeare significant sort soul speech spirit stage subjective suggestion supernatural supernatural figures thee things thou threats Thyestes Tiresias tradition tragedy translations true vengeance whole witchcraft witches