Ghosts and Witches in Elizabethan Tragedy, 1560-1625 |
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Page 22
... souls of men ( II , 1 , 43-4 ) . Faust . How comes it then that thou art out of hell ? Meph . Why this is hell , nor am I out of it : Think'st thou that I , that saw the face of God , And tasted the eternal joys of heaven , Am ... soul 22 .
... souls of men ( II , 1 , 43-4 ) . Faust . How comes it then that thou art out of hell ? Meph . Why this is hell , nor am I out of it : Think'st thou that I , that saw the face of God , And tasted the eternal joys of heaven , Am ... soul 22 .
Page 167
... soul will pity me : Nay , wherefore should they , since that I myself Find in myself no pity to myself ? Methought the souls of all that I had murder'à Came to my tent ; and every one did threat Tomorrow's vengeance on the head of ...
... soul will pity me : Nay , wherefore should they , since that I myself Find in myself no pity to myself ? Methought the souls of all that I had murder'à Came to my tent ; and every one did threat Tomorrow's vengeance on the head of ...
Page 173
... soul of Richard and to encourage Rich- mond , the agent of their vengeance . ce.60 The appearance of the ghosts in a dream has been skilfully adumbrated in previous scenes , and we should be prepared for it as an integral part of the ...
... soul of Richard and to encourage Rich- mond , the agent of their vengeance . ce.60 The appearance of the ghosts in a dream has been skilfully adumbrated in previous scenes , and we should be prepared for it as an integral part of the ...
Contents
Conclusion 334 | 13 |
The Revenge Ghost | 35 |
Shakespeares Experimentation with the Ghost | 78 |
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Common terms and phrases
accord action actually addition already Andrea appear atmosphere attempt become beginning beliefs blood body bring Brutus Caesar called cause characters chorus classical close comes conception connection considered course dead death desire devil direct discussed doth dream dumb show earth effect element Elizabethan English entirely established evident example expect fact father figures final frequently furies further ghost give hand hath hell Hercules host illustrate important indicate influence introduced King later lines means Medea mentioned merely midst motive murder native natural night noted once opening original play popular practice present probably prologue reason references revenge revenge ghost Richard role says scene seems seen Senecan Shakespeare significant sort soul speech spirit stage subjective suggestion supernatural supernatural figures thee things thou threats Thyestes Tiresias tradition tragedy translations true vengeance whole witchcraft witches