Ghosts and Witches in Elizabethan Tragedy, 1560-1625 |
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Page 35
... actually she is not essential to the plot and accomplishes nothing . The ghosts put on the stage by Seneca , then , though re- presented as having the power of influencing the characters to accomplish deeds of murder and atrocity , actually ...
... actually she is not essential to the plot and accomplishes nothing . The ghosts put on the stage by Seneca , then , though re- presented as having the power of influencing the characters to accomplish deeds of murder and atrocity , actually ...
Page 60
... actually presenting the supernatural agents , refer to their power in the course of the play itself , Thus we do not have in Gorboduc that lack of economy which we have noted in Seneca . Our first English tragedy , then , though it does ...
... actually presenting the supernatural agents , refer to their power in the course of the play itself , Thus we do not have in Gorboduc that lack of economy which we have noted in Seneca . Our first English tragedy , then , though it does ...
Page 173
... actually appeared ; and that it is certainly asking too much to believe that two men would have the same subjective experience at the same time.59 These arguments point unmistakably to the conclusion that these gnosts , even though they ...
... actually appeared ; and that it is certainly asking too much to believe that two men would have the same subjective experience at the same time.59 These arguments point unmistakably to the conclusion that these gnosts , even though they ...
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Common terms and phrases
action actually Agamemnon Alaham already Andrea Antonio apparition atmosphere avenge blood bloud Brutus Bussy Caesar causer characters chorus classical conjuring connection Corineus death devil doth dramatic dream dumb show earth Elizabethan English tendency English tragedies expository father Faustus frequently Friar furies ghosts and witches ghosts appear Gismond gnost Gorboduc Gorlois Hamlet hath haue heaven hell Hercules Hercules Oetaeus Horestes host inciting indicate King Kyd's Locrine Loue Medea merely midst Misfortunes of Arthur Mordred murder murther mythical motive native beliefs native tradition natural necromancy night Oedipus play playwrights Plutarch popular prologue purpose references revenge element revenge ghost revenge motive revenge play revenge tragedy Richard role says scene Scot seen Seneca's ghosts Senecan tragedy Shakespeare sonne sort soul Spanish Tragedy speech spirit stage Studley suggestion supernatural figures superstitions Tantalus thee things thou threats Thyestes torments translations Troades Ur-Hamlet vengeance Vindicta vnto vpon witchcraft wrath