Counterpoint: A Practical Course of Study |
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Page 19
... begin with a perfect interval , that is , the 1st , or 5th , or 8th , if the counterpoint be in the upper part ; Subject . or or the 1st or 8th if the counterpoint be in the under part . The reason for or 3 this is that the first note ...
... begin with a perfect interval , that is , the 1st , or 5th , or 8th , if the counterpoint be in the upper part ; Subject . or or the 1st or 8th if the counterpoint be in the under part . The reason for or 3 this is that the first note ...
Page 24
... begin with a perfect concord , and the other part may or may not have the 3rd of the chord . 105. In three - part counterpoint , two parts may occasionally have the 1st or Unison in the course of an Exercise , while the other part makes ...
... begin with a perfect concord , and the other part may or may not have the 3rd of the chord . 105. In three - part counterpoint , two parts may occasionally have the 1st or Unison in the course of an Exercise , while the other part makes ...
Page 32
... begin with a rest , the other parts must begin with a perfect interval . The key being thus defined , the note with which the moving part begins may then be the 3rd from the root , even though it be the bass - note . Bad . Bad . e Bad ...
... begin with a rest , the other parts must begin with a perfect interval . The key being thus defined , the note with which the moving part begins may then be the 3rd from the root , even though it be the bass - note . Bad . Bad . e Bad ...
Page 50
... begin with a rest of the length of the notes that apparently prevail throughout— apparently , for they are written as minims , though by syncopation they are extended to the length of semibreves . 200. A suspended discord represents the ...
... begin with a rest of the length of the notes that apparently prevail throughout— apparently , for they are written as minims , though by syncopation they are extended to the length of semibreves . 200. A suspended discord represents the ...
Page 60
... begin with a crotchet rest . 235. Here is a model of Exercises now to be written . S 6 6 # 6 7 6 7 of 8 5 6- 2 236. In Counterpoint of more than two parts , if the moving - notes be in the bass , it is as needful in this Species as in ...
... begin with a crotchet rest . 235. Here is a model of Exercises now to be written . S 6 6 # 6 7 6 7 of 8 5 6- 2 236. In Counterpoint of more than two parts , if the moving - notes be in the bass , it is as needful in this Species as in ...
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Common terms and phrases
17 Paternoster Row accent appoggiatura approached by leap arpeggio augmented bass note bass-note Cambridge Warehouse chromatic chromatic scale cloth combination common chord concord contrapuntal contrary motion crotchet Demy Octavo diminished 5th dominant Double Counterpoint Edited effect elemental note English Notes Fellow of St Fellow of Trinity Fifth Species figure forms of Cadence free style full close Greek harmony inverted root key-note late Fellow leading-note M. T. CICERONIS major 3rd major form mediant melody minor form minor key models of Exercises modern modes moving-notes note of resolution passing-note perfect 5th perfect interval proceed Professor progression resolved second inversion Second Species semibreves similar motion sounded Species of Counterpoint Species Sects St Catharine's College St John's College student subdominant Subject submediant supertonic suspended 4th suspended discord syncopation tetrachord Third Species three-part Counterpoint tonic triad Trinity College Triple Counterpoint two-part Counterpoint undesirable University of Cambridge upper written
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