The Art of the Drama |
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Page 224
... verse in drama . The first is that there is of course a reciprocal influence of each on the other . What was said earlier about the speech of drama applies also to verse in drama ; it is dramatic if it is organi- cally linked with a ...
... verse in drama . The first is that there is of course a reciprocal influence of each on the other . What was said earlier about the speech of drama applies also to verse in drama ; it is dramatic if it is organi- cally linked with a ...
Page 225
... verse . The play in verse , by contrast , however much violent action it retains ( we think of the Eliza- bethans ) , contains principally an inner drama of feeling and motive in morally and spiritually sensitive persons and develops it ...
... verse . The play in verse , by contrast , however much violent action it retains ( we think of the Eliza- bethans ) , contains principally an inner drama of feeling and motive in morally and spiritually sensitive persons and develops it ...
Page 229
... verse - drama in some respects it pays a price in the restriction of the actor's art ; in verse - drama the complexity of all the imagery is more naturally and uniformly balanced . iii . VERSE AND COMEDY In our general statement about verse ...
... verse - drama in some respects it pays a price in the restriction of the actor's art ; in verse - drama the complexity of all the imagery is more naturally and uniformly balanced . iii . VERSE AND COMEDY In our general statement about verse ...
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abstract achieved action actor aesthetic Antony and Cleopatra artist aspects auditory auditory imagery beautiful blank verse century chapter character comedy comic complex composition connexion context décor dialogue drama dramatic form dramatist elements emotional epic poetry evocation example experience expressive formula-images feeling function gesture human Ibsen idea ideal imagery images imagination implicit intense interfusion kind language Les Parents Terribles lyric lyric poetry Macbeth Mallarmé meaning meditation medium metaphor moral myth narrative nature Novalis objects observe Othello particular pattern persons play plot poem poésie poet poetic poetry precise principle problem prose psychological realism reality relation representational representational art rhythm romantic romantic poetry romanticism scene sense sensuous Shakespeare simple situation social song sonnet Sophocles sound speech style symbolic symbolist texture theatre theatrical themes theory things thought tion tragedy tragic types unity varied verbal verse vision visual vivid voice whilst whole words