The Art of the Drama |
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Page 33
... reason than that some irrational or affective influence at least de- termines the interest of an artist for any given subject . But these emotional reactions to what we see in the world around us spring from a life of feeling that is ...
... reason than that some irrational or affective influence at least de- termines the interest of an artist for any given subject . But these emotional reactions to what we see in the world around us spring from a life of feeling that is ...
Page 52
... reason metaphor has always enjoy- ed a peculiar prestige in literary art . For this reason , too , we have assigned it its special place in relation to the other kinds of imagery . ii . THE RELATIONSHIP BETWEEN DIFFERENT KINDS OF ...
... reason metaphor has always enjoy- ed a peculiar prestige in literary art . For this reason , too , we have assigned it its special place in relation to the other kinds of imagery . ii . THE RELATIONSHIP BETWEEN DIFFERENT KINDS OF ...
Page 117
... reason , or generalized truth . The person and the image are individual ; reason is general . A great amount of prose exhibits this conflict . Originality of mind shows itself sometimes in the capacity to state general truths , which ...
... reason , or generalized truth . The person and the image are individual ; reason is general . A great amount of prose exhibits this conflict . Originality of mind shows itself sometimes in the capacity to state general truths , which ...
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abstract achieved action actor aesthetic Antony and Cleopatra artist aspects auditory auditory imagery beautiful blank verse century chapter character comedy comic complex composition connexion context décor dialogue drama dramatic form dramatist elements emotional epic poetry evocation example experience expressive formula-images feeling function gesture human Ibsen idea ideal imagery images imagination implicit intense interfusion kind language Les Parents Terribles lyric lyric poetry Macbeth Mallarmé meaning meditation medium metaphor moral myth narrative nature Novalis objects observe Othello particular pattern persons play plot poem poésie poet poetic poetry precise principle problem prose psychological realism reality relation representational representational art rhythm romantic romantic poetry romanticism scene sense sensuous Shakespeare simple situation social song sonnet Sophocles sound speech style symbolic symbolist texture theatre theatrical themes theory things thought tion tragedy tragic types unity varied verbal verse vision visual vivid voice whilst whole words