The Art of the Drama |
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Page 5
... PAINTING AND SCULPTURE , in drama , narrative , and descriptive poetry , we are accustomed to find pictures of the ... paint on canvas . But the appearances of nature can be captured so faithfully in art that we recognize like- ness ...
... PAINTING AND SCULPTURE , in drama , narrative , and descriptive poetry , we are accustomed to find pictures of the ... paint on canvas . But the appearances of nature can be captured so faithfully in art that we recognize like- ness ...
Page 11
... painting a picture of the scene , we should do so in such a way as to make our main impression or feeling apparent , by selecting some , and modifying others , of the various visual elements of the scene . In other words we should ...
... painting a picture of the scene , we should do so in such a way as to make our main impression or feeling apparent , by selecting some , and modifying others , of the various visual elements of the scene . In other words we should ...
Page 12
... painting a living Poussin in the open air with colour and light , instead of one of those works imagined in a studio , where everything has the brown colouring of feeble daylight without reflections from the sky and the sun . " Instead ...
... painting a living Poussin in the open air with colour and light , instead of one of those works imagined in a studio , where everything has the brown colouring of feeble daylight without reflections from the sky and the sun . " Instead ...
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abstract achieved action actor aesthetic Antony and Cleopatra artist aspects auditory auditory imagery beautiful blank verse century chapter character comedy comic complex composition connexion context décor dialogue drama dramatic form dramatist elements emotional epic poetry evocation example experience expressive formula-images feeling function gesture human Ibsen idea ideal imagery images imagination implicit intense interfusion kind language Les Parents Terribles lyric lyric poetry Macbeth Mallarmé meaning meditation medium metaphor moral myth narrative nature Novalis objects observe Othello particular pattern persons play plot poem poésie poet poetic poetry precise principle problem prose psychological realism reality relation representational representational art rhythm romantic romantic poetry romanticism scene sense sensuous Shakespeare simple situation social song sonnet Sophocles sound speech style symbolic symbolist texture theatre theatrical themes theory things thought tion tragedy tragic types unity varied verbal verse vision visual vivid voice whilst whole words