The Art of the Drama |
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Page 29
... original " or " particular " version of a play , even if such ever existed , but a version consistent in itself and faithful to the spirit and meaning of the play . Hamlet in modern dress may be possible . But Hamlet played as though it ...
... original " or " particular " version of a play , even if such ever existed , but a version consistent in itself and faithful to the spirit and meaning of the play . Hamlet in modern dress may be possible . But Hamlet played as though it ...
Page 108
... original models for which were Pindar's odes and the choric passages of Greek tragedy . We feel doubtless that an ode by Keats is far removed by the subject and theme of its inspiration , and by its metrical form , from Pindar's work ...
... original models for which were Pindar's odes and the choric passages of Greek tragedy . We feel doubtless that an ode by Keats is far removed by the subject and theme of its inspiration , and by its metrical form , from Pindar's work ...
Page 113
... original circumstances become more and more tenuous . We do not now hear Homer's epic as the Greeks , or Shakespeare's Histories as the Elizabethans did , nor Goethe's Faust with the ears of Humboldt and the Schlegels . This conforms to ...
... original circumstances become more and more tenuous . We do not now hear Homer's epic as the Greeks , or Shakespeare's Histories as the Elizabethans did , nor Goethe's Faust with the ears of Humboldt and the Schlegels . This conforms to ...
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abstract achieved action actor aesthetic Antony and Cleopatra artist aspects auditory auditory imagery beautiful blank verse century chapter character comedy comic complex composition connexion context décor dialogue drama dramatic form dramatist elements emotional epic poetry evocation example experience expressive formula-images feeling function gesture human Ibsen idea ideal imagery images imagination implicit intense interfusion kind language Les Parents Terribles lyric lyric poetry Macbeth Mallarmé meaning meditation medium metaphor moral myth narrative nature Novalis objects observe Othello particular pattern persons play plot poem poésie poet poetic poetry precise principle problem prose psychological realism reality relation representational representational art rhythm romantic romantic poetry romanticism scene sense sensuous Shakespeare simple situation social song sonnet Sophocles sound speech style symbolic symbolist texture theatre theatrical themes theory things thought tion tragedy tragic types unity varied verbal verse vision visual vivid voice whilst whole words