The Art of the Drama |
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Page 72
... IDEA The images of art , deriving from acquaintance with the external world and the self , are idea - images embodying interpretation and expression of experience in the generalized sense just expounded . Because it is idea , art exists ...
... IDEA The images of art , deriving from acquaintance with the external world and the self , are idea - images embodying interpretation and expression of experience in the generalized sense just expounded . Because it is idea , art exists ...
Page 74
... idea . And we know it is idea because it is fixed in a formula and is repeatable in thought and only thus . A poem cannot “ take place ” , nor can it be " an experience ” , until someone reconstructs it as thought by reading it , which ...
... idea . And we know it is idea because it is fixed in a formula and is repeatable in thought and only thus . A poem cannot “ take place ” , nor can it be " an experience ” , until someone reconstructs it as thought by reading it , which ...
Page 247
... Idea , chap . V ( The Illusion of the Real ) for a view of the part played in much Renaissance painting by the desire to conform to scientific laws . 3 For the purposes of my general argument I am only concerned here with basic ...
... Idea , chap . V ( The Illusion of the Real ) for a view of the part played in much Renaissance painting by the desire to conform to scientific laws . 3 For the purposes of my general argument I am only concerned here with basic ...
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abstract achieved action actor aesthetic Antony and Cleopatra artist aspects auditory auditory imagery beautiful blank verse century chapter character comedy comic complex composition connexion context décor dialogue drama dramatic form dramatist elements emotional epic poetry evocation example experience expressive formula-images feeling function gesture human Ibsen idea ideal imagery images imagination implicit intense interfusion kind language Les Parents Terribles lyric lyric poetry Macbeth Mallarmé meaning meditation medium metaphor moral myth narrative nature Novalis objects observe Othello particular pattern persons play plot poem poésie poet poetic poetry precise principle problem prose psychological realism reality relation representational representational art rhythm romantic romantic poetry romanticism scene sense sensuous Shakespeare simple situation social song sonnet Sophocles sound speech style symbolic symbolist texture theatre theatrical themes theory things thought tion tragedy tragic types unity varied verbal verse vision visual vivid voice whilst whole words