The Art of the Drama |
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Page 39
... expressive lines abstracted from face , body , and limbs and , like the stylized gesture - images of ballet , provide a bridge between the representational and the abstract - expressive . Nor should we forget that the great prototype in ...
... expressive lines abstracted from face , body , and limbs and , like the stylized gesture - images of ballet , provide a bridge between the representational and the abstract - expressive . Nor should we forget that the great prototype in ...
Page 53
... expressive , but what it is , and how it functions , in its characteristic context . We have said that the representational image in art is always expressive as well ; it symbolizes both an object and a feeling about it . We have also ...
... expressive , but what it is , and how it functions , in its characteristic context . We have said that the representational image in art is always expressive as well ; it symbolizes both an object and a feeling about it . We have also ...
Page 108
... expressive needs and different interests in the material of experience ; so that story , or song , or meditation , are not " forms " chosen arbitrarily for conveying feelings , but are them- selves natural symptoms of an expressive ...
... expressive needs and different interests in the material of experience ; so that story , or song , or meditation , are not " forms " chosen arbitrarily for conveying feelings , but are them- selves natural symptoms of an expressive ...
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abstract achieved action actor aesthetic Antony and Cleopatra artist aspects auditory auditory imagery beautiful blank verse century chapter character comedy comic complex composition connexion context décor dialogue drama dramatic form dramatist elements emotional epic poetry evocation example experience expressive formula-images feeling function gesture human Ibsen idea ideal imagery images imagination implicit intense interfusion kind language Les Parents Terribles lyric lyric poetry Macbeth Mallarmé meaning meditation medium metaphor moral myth narrative nature Novalis objects observe Othello particular pattern persons play plot poem poésie poet poetic poetry precise principle problem prose psychological realism reality relation representational representational art rhythm romantic romantic poetry romanticism scene sense sensuous Shakespeare simple situation social song sonnet Sophocles sound speech style symbolic symbolist texture theatre theatrical themes theory things thought tion tragedy tragic types unity varied verbal verse vision visual vivid voice whilst whole words