The Art of the Drama |
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Page 13
... composition and the unity of effect achieved by it . For the unity of art - imagery is constructive by contrast with the analytic disunity of scientific copy - imagery . In the latter the only unified features are the simple outlines or ...
... composition and the unity of effect achieved by it . For the unity of art - imagery is constructive by contrast with the analytic disunity of scientific copy - imagery . In the latter the only unified features are the simple outlines or ...
Page 37
... composition develops are initially vital . Those short phrases the working out of which make a composition , the “ subjects " , as they are technically called , of fugues , sonata movements , and so on , contain the central emo- tional ...
... composition develops are initially vital . Those short phrases the working out of which make a composition , the “ subjects " , as they are technically called , of fugues , sonata movements , and so on , contain the central emo- tional ...
Page 42
... composition or design does not make an analytical or ratiocinative order under which a material world is subsumed ; it is an aspect of imagery which interprets the material world and expresses feeling . Once we are willing to see this ...
... composition or design does not make an analytical or ratiocinative order under which a material world is subsumed ; it is an aspect of imagery which interprets the material world and expresses feeling . Once we are willing to see this ...
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abstract achieved action actor aesthetic Antony and Cleopatra artist aspects auditory auditory imagery beautiful blank verse century chapter character comedy comic complex composition connexion context décor dialogue drama dramatic form dramatist elements emotional epic poetry evocation example experience expressive formula-images feeling function gesture human Ibsen idea ideal imagery images imagination implicit intense interfusion kind language Les Parents Terribles lyric lyric poetry Macbeth Mallarmé meaning meditation medium metaphor moral myth narrative nature Novalis objects observe Othello particular pattern persons play plot poem poésie poet poetic poetry precise principle problem prose psychological realism reality relation representational representational art rhythm romantic romantic poetry romanticism scene sense sensuous Shakespeare simple situation social song sonnet Sophocles sound speech style symbolic symbolist texture theatre theatrical themes theory things thought tion tragedy tragic types unity varied verbal verse vision visual vivid voice whilst whole words