The Art of the Drama |
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Page 96
... characteristic composite imagery , or a characteristic intertexture of imagery , to use Coleridge's vivid and suggestive word . Before commenting further on particular characteristic inter- textures we might observe in general that the ...
... characteristic composite imagery , or a characteristic intertexture of imagery , to use Coleridge's vivid and suggestive word . Before commenting further on particular characteristic inter- textures we might observe in general that the ...
Page 98
... characteristic of lyric poetry , but stops short of the final transition into a metrical form which would establish the intertexture completely . It is close to " free " verse , which however belongs to metrical forms , since it is not ...
... characteristic of lyric poetry , but stops short of the final transition into a metrical form which would establish the intertexture completely . It is close to " free " verse , which however belongs to metrical forms , since it is not ...
Page 100
... characteristic ; not an adaptation of music in its other shapes , but the musical imagination giving the immediate image of " life as drama ” , as conflict , passion , agony , and so on . It provides an expressiveness cognate with that ...
... characteristic ; not an adaptation of music in its other shapes , but the musical imagination giving the immediate image of " life as drama ” , as conflict , passion , agony , and so on . It provides an expressiveness cognate with that ...
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abstract achieved action actor aesthetic Antony and Cleopatra artist aspects auditory auditory imagery beautiful blank verse century chapter character comedy comic complex composition connexion context décor dialogue drama dramatic form dramatist elements emotional epic poetry evocation example experience expressive formula-images feeling function gesture human Ibsen idea ideal imagery images imagination implicit intense interfusion kind language Les Parents Terribles lyric lyric poetry Macbeth Mallarmé meaning meditation medium metaphor moral myth narrative nature Novalis objects observe Othello particular pattern persons play plot poem poésie poet poetic poetry precise principle problem prose psychological realism reality relation representational representational art rhythm romantic romantic poetry romanticism scene sense sensuous Shakespeare simple situation social song sonnet Sophocles sound speech style symbolic symbolist texture theatre theatrical themes theory things thought tion tragedy tragic types unity varied verbal verse vision visual vivid voice whilst whole words